Ferrera's Collected Outlooks 2008 - 2019 are like instructional manuals in the Art of Financial Forecasting, providing educational studies on market theory and technique by a highly respected forecaster.
They expand the toolbox of even seasoned traders, providing new tools and deep insights into cycles, technical analysis and Gann forecasting.
Dr. Alexander Goulden
Dr. Goulden, a Cambridge educated scholar, takes an individualistic approach to market analysis, focusing on deep principles and exploring trading techniques based on foundational systems.
This deep, many layered approach provides non-correlated confirmation of Gann from different angles, such as financial astrology based on ancient systems.
Plapcianu followed Baumring's lead into the core of Gann's Cosmological System, cracking Gann's Squaring of Price and Time.
He quantifies Gann's innermost system demonstrating how markets move in multi-dimensional Space & Time, including new and sophisticated trading algorithms which generate 4000% annualized returns.
Hebrew culture has great traditions of wisdom, mysticism and cosmology, the deepest of which is the Kabbalah.
We focus especially on Gematria, the Tree of Life, and the Kabbalistic coded language widely developed in Magical traditions.
Gann used Kabbalistic codes, creating hidden meanings such as found in traditional texts like the Bible
Magick in the Western Esoteric tradition represents a Western equivalent to the internal training systems that are found in Eastern traditions, but is focused on the development of human powers and abilities.
These include mastery of physical, emotional and mental bodies, control over the elements and development of psychic perception and influence.
A branch of Chaos Theory, fractals are beautiful self-similar patterns mathematically generated from non-linear equations.
Fractals apply directly to financial market phenomena, and time-periodic market charts show that similar patterns permeate each time level.
Gann and Baumring saw common patterns foreshadowing coming events within consistent structure.
Dr. Jerome Baumring
Dr. Baumring is the only known person to have fully cracked W. D. Gann’s full Cosmological System! He reproduced Gann's results, forecasting markets within 3 minutes of turning points.
He extended Gann's Law of Vibration into DNA Coding, Chaos Theory, and Topology, creating multi-dimensional, mathematical models of the markets.
W.D. Gann Works
We stock the complete collection of the works of W.D. Gann.
His private courses represent the most important of his writings, going into much greater detail than the public book series. Our 6 Volume set of Gann's Collected Writings includes supplementary rare source materials, and is the most reliable compliation of Gann's unadulterated vital work.
Dr. Jerome Baumring
The work of Dr. Baumring is the core inspiration upon which this entire website is based. Baumring is the only known modern person to have cracked the code behind WD Gannís system of trading and market order.
Baumring found and elaborated the system of scientific cosmology at the root of Gannís Law of Vibration.
There is no other Gann teaching that gets close to the depth of Baumringís work.
Natural Architecture Editor's Foreword by Alexandre Rouhier
Translation Society Edition
About five or six years ago, a master of the work brought us a manuscript written in Latin, illustrated with singular geometric figures, and accompanied by plans of civil and religious edifices. It came, he told us, from a traditional and pure source. This work appeared to us to present considerable interest. It demonstrated not only that the geometric outlines and numbers derived from the regular partition of the sphere determine universal constructive rules (which our present epoch has entirely forgotten), but also that these rules could also serve for the spiritual perfection of man, his intellectual development, and the realization of his material well-being, all at the same time. We therefore thought it indispensable to publish it.
This is why we present, to those who may still be interested by these questions, the version of this manuscript in French, as close as possible,. We have meticulously respected the terminology and translated all the terms integrally, even though some of them appeared to us to be susceptible to criticism, discussion, or controversy. We believe, in fact, that this “Report by a Master of the Work” cannot be considered a “work of science and erudition” in the narrow sense in which it is understood in our times, but as the expression of an essentially realizing “companion doctrine,” transmitted by an author indifferent to those minutiae, quibbles, and philosophic subtleties that are not effectively constructive.
This doctrine is not new. It presided over the building of the most famous works of the ancients. We have thus thought it useful to illustrate the text of this book with symbolic engravings, reproducing the documents or monuments of times past, of many various lands and epochs. Each of them reveals certain constructive rules of the Master of the Work. They will thus contribute to proving their great antiquity and to demonstrating the universality of their applications, and will clarify a way of thinking whose marked synthetic and technical character can sometimes make its access difficult. We have chosen them from among many others, all just as demonstrative; the attentive reader will find many more of them when he studies the monuments of the epochs illustrated which still arouse admiration in modern times.
Moreover, this iconography has appeared to us to constitute an indispensable complement, and as it were a more material expression of the Author’s geometric designs, which themselves are expressions of the metaphysical principles from which they proceed.
Thus, we have wished to present this “Work” in a way analogous to that of the cathedrals of olden days. There, on the exterior and especially on the porches, the builders assembled a whole symbolic imagery, explicative of the edifice, while leaving the interior of the vessel naked of all ornamentation and rich in its geometric proportions alone, so favorable to meditation and creative of that atmosphere of sacred contemplation which facilitates access to the divine.
We have tried equally hard, logically, to realize the typographic construction of this book according to the proportions and numbers corresponding to the constructive rules that it teaches.
Appearing thus, with its uncommon theories, its strange figures, its recalling of old sciences considered as “ridiculous reveries” by some and “damned sciences” by others, this singular work risks appearing disconcerting or obscure to certain people... “You must open the book,” we remind them with Rabelais, “and painstakingly evaluate that which is inferred. Then you will know that the drug contained therein is of far different value than its container suggested.” We therefore beseech the reader to beware of a hasty or superficial examination and not to make his judgment until after having patiently and attentively studied this remarkable synthesis of the traditional sciences and arts, first in its entirety, then in its details.
For an easier beginning, we recommend first reading (p. xvi) the “Plan of the work” which was attached to the manuscript, then the analytical “Table of contents” that we have prepared, and finally (pp. 325 to 328) the Author’s “Conclusion.” The reader will then have an idea of the totality of the Work; it will guide him usefully throughout the exposition of an idea, which, to be brief, had to be expressed with more concision than the gravity of the subject, its extent, and the richness of its immediate conclusions deserved.
The device surrounding the mark (which is reproduced here) of Conrad Badius, the Genevan bookseller of the 16th century, serves us as a conclusion, because it illustrates perfectly the spirit and the value of this “Report”:
From the hollow dwellings, full of obscurity, God, through Time, draws out Truth.
It falls to you now, benevolent reader, to make the effort indispensable to the discovery of “this” Truth. It will then become “yours,” because it is a universal Truth.
 At the bottom of the pages where they are reproduced, we have attempted to draw the reader’s attention to their symbolic content, through short clarifying notes (marked with a small lozenge ♦ or a small square ■). These notes aim neither to be complete nor to exhaust the meaning of the engraving, but only to direct the reader’s mind to the correspondences existing between these illustrations and the Author’s theories. Certain figures have no commentary, not because their symbolism is too obvious or too well known to the adept, but because their explanation would lead to overly lengthy developments.
It is thus, using only this initial example, that the construction, dimensions, and ornamentation of the architectural porch of the title page contain, in the numbers and reciprocal ratios of the stones on the pediment, the entablature, the columns, and the 3 steps, an ensemble of numeric ratios which the informed reader will take pleasure in discovering; the number, for example, given by the stones of the 3 steps of the base, here replacing the 3 magical enclosures, are those of the architect’s just square: 3, 4, 5; the entablature symbolizes the constructive word ABRACADABRA; the stones of the columns, with or without the base, show the fundamental opposition of 18 and 15 which is that of the senary and quinary, etc...
 Obviously we do not count the narrow mediating belt formed by the ornamental line of the capitals, because it disappears in the ensemble of the geometric lines of the nave; nor the keystones of the vault. We call it a mediating belt, believing that whenever there is ornamentation there is mediation, because all ornaments (sculpture, painting, inscriptions) must be considered as magical in their essence, and because magic belongs to the intermediary World. The keystone of the ornate vault, point of departure of the broken arch, indicates a mediation between the Non-manifested and the totality of Manifestation; the capital may be considered as mediator between the curvilinear form of the ogive arch (representing universal Manifestation) and the straight form of the pillar (representing individual Manifestation).
 Just as, in Plato’s description, the temple of Poseidon is the center of the royal city of Atlantis, the “mediating diagram” of the Master of the Work (fig. 27) appears incontestably as the symbolic “omphalos” of this “Report,” and its proportions are those of the plan of the Atlantean sanctuary. If one reduces this temple to a width of 1 millimeter, the diameter of the royal City becomes equal to 10 English inches (the English inch, the only inch of which we speak, equals 0.0254 m.), which is precisely the length given by the Author to his mediating diagram, whose length is equal to 20 inches. (We recall that the King’s chamber in the Great Pyramid is 10 royal Egyptian cubits wide by 20 cubits long, and that the “flying book” in the vision of Zechariah [Zec. V, 2] is also 10 by 20 cubits.) This is the dimension of the mediating diagram, intended to be printed on a full page, which has led us to choose in-folio super royal paper as a format. The height of a leaf being 22 inches (0.559 m.), and its width 15 (0.381 m.), this format is directly linked to the Egyptian approximation of the number π, i.e. to 22 : 7 (= 22 : 22 – 15), as well as to important Kabalistic numbers.
The dimension of the characters chosen for printing is equally symbolic: those of the text are 24-point, those of the notes 18; this opposition, in the ratio of 4 to 3, represents the inferior generation which corresponds to the Worlds of individual Manifestation.
The typographical “justification” (length of lines) is 10 inches (0.254 m.); the typographical “height of the page” is 16 inches (0.406 m.); the dimension of the printed text are therefore, according to the Author’s terminology, those of a golden rectangle, while the mediating diagram is a silver rectangle. The oppositions of 3 and 2, and those of 11 and 8, to which the Master of the Work draws ceaseless attention, are reproduced between the width of a leaf and that of the justification on the one hand, and between the height of a leaf and the typographical “height of the page” on the other hand.
The blanks of the margins (exterior and interior) make 5 inches in total, while the blanks at the head and foot of the page together make 6 inches. Their union and their crucial opposition therefore again represents the union and opposition of the quinary and senary which one encounters in all the constructions of universal character; they are found in the frames of the mediating diagram.
We even wished to represent these so fertile mutations 5 ↔ 6 in the form of the “cross-references”; this is why the 5-pointed star, in the text, sends one to the 6-pointed star, in the notes, from the beginning of the work as far as the “geometric Tau” and the corresponding “Crucifixion,” which are the 80th and 81st images of the “Report.” Then these cross-references permutate, and the 6-pointed star of the text sends one to the 5-pointed star of the notes.
Just as the voyage of Pantagruel in search of the Holy Bottle is marked by 35 or 36 stages (see p. 269), the Author’s text is divided into 35 or 36 chapters, depending on whether one counts the conclusion, in the form of a flask or hermetic Vessel as a distinct chapter.
Moreover, the “Report” comprises 50 geometric figures and 22 plates. In the footnotes there are 7 small figures, of geometric character, not titled. The documentary illustration which we have added consists of 108 engravings and 7 geometrical designs, titled, placed so as to conform to the symbolism of the mediating diagram which has guided the construction of the book.
The footnotes are the Author’s, except where indicated to the contrary. Some, attached to the manuscript on separate leaves and without indication of placement, have been added in 12 “Appendices” to the end of the work.
Only 252 (= 36 × 7) (= 108 × 7 : 3) copies of the book have been printed, which required 63 (= 108 × 7 : 12) reams of paper.
All these numbers, their groupings, their oppositions (5 ↔ 6, 7 ↔ 12, 35 ↔ 36, 22 ↔ 50, 80 ↔ 81, 108 ↔ 7) have a symbolic value and present a traditional character; they are found in the laws of the regular partition of the sphere, whose value emerges clearly from the Author’s theories.
The indication of the place and date which precedes the signature of the Editor realizes, by its form and colors, a complementary opposition with the philosopher’s bottle on page 320, which confirms the mystical conclusion of the Master of the Work; this cup (or Grail) contains, moreover, a symbolic chronogram which yields important Taoist, Pythagorean, and Kabalistic numbers. Cinnabar (salt of sulfur and mercury) is part of the composition of the red ink used. The white of the paper, the black and red of the inks, are the colors of the philosopher’s Stone, which also indicates that this book is really, in all its degrees, the “Book of the Great Transmutation.”
T. G. Butaney, a famous Indian astrologer, wrote 3 books on astrological financial market forecasting and horse racing prediction.
His books were judged "The Best Money Minting Books on Speculation and Racing By Readers All Over The World", and explain Market Forecasting, Race Astrology & Numerology and Handicap Formulae.
Studies In Astrological Bible Interpretation. By Daniel T. Ferrera. An interesting exploration of the coding of astrological and astronomical cycles into the Bible.
Provides an analysis of the book of Genesis, exploring coding systems by which astrological symbolism is veiled, showing how Gann and Bayer used these secrets in the markets.
Dr Lorrie V. Bennett
Dr. Lorrie V. Bennett is a master of the Law of Vibration and a true expert on the science of the great W.D. Gann.
Her recently released 4-Volume Master Series "The Law of Vibration" contains her entire teachings on Gann Theory in the transparent light of practical application. Learn in real-time from a living master's books and her interactive online forum.
Cosmological Economics, the Key focus of this website, has its origins in Gannís Law of Vibration, interpreted and extended by the work of Dr. Jerome Baumring.
Scientific phenomena are seen as a basis of correlation and causation underlying the financial market, indicating a symbiotic relationship between Cosmic forces and reactions on Earth.
Techniques, tools and systems particularly focused upon or the Elliot Wave pattern.
Cutting edge Space and Solar Researchers, Muriel and Louis Hasbrouck's Space & Time Forecasting techniques are STILL more advanced than those of NASA or the current scientific community.
They produced 50 years of Market Forecasts with a 90% accuracy rate and forecasted Space Weather, Earthquakes and Geomagnetic Storms.
Technical analysis requires sophisticated measurements and calculations, so good software tools save time and allow wider scope.
We have carefully selected software for market analysis, geared towards Gann, geometric, astronomical, cycles or other related topics that we most use, including pre-programmed Gann and Astro tools.
The great ancient civilization of India is rich in traditions of wisdom and knowledge, focusing on mystical realms and development of human consciousness.
India has given us awareness of the Chakras and Kundalini energy, as well as being the home of many great spiritual traditions.
We also cover the mathematical and geometrical traditions of India.
Baumring Science List
In the 1980ís Dr. Jerome Baumring, created an advanced course on the scientific cosmological system behind Gannís Law of Vibration, including over 100 important works.
These ranged from core works that Gann himself studied relating to Natural Science and Philosophy, to valuable works in alternative or lesser known scientific traditions.
Gann Science Reading List
In the 1940ís Gann published a Recommended Reading list of about 90 books, each containing an essential part his system, which he sold to his students.
n the 1980ís Dr. Baumring compiled about 70 of these titles, and we have collected the remainder, providing the only complete set available.
We strongly recommend these works to all Gann students.
One of the 4 Classical Liberal Arts, geometry is a basic ordering principle of the universe.
Market Geometry is the study of the markets looking at growth ratios and proportions of moves, structures, reactions, price levels and time cycles.
Gann, a master geometer, used sacred geometry for market analysis via Gann Angles and his Master Squares.
Dr Lorrie Bennett
Dr. Lorrie Bennett is one of few Gann experts to crack the Law of Vibration! 20 years of research led to the solution based on a complex code in Gann's texts.
Following Baumring, Dr. Bennett explains the Law of Vibration in a 4 Volume Advanced Series revealing the Patterns, Numbers, Planets & Geometry behind Gann's secret trading system.