Astrology Manuscripts
THE EARLIEST FINANCIAL ASTROLOGY MANUSCRIPTS -By W. D. Gann, Fred White, Prof. Weston, Sepharial
THE EARLIEST FINANCIAL ASTROLOGY MANUSCRIPTS -By W. D. Gann, Fred White, Prof. Weston, Sepharial
The Earliest Financial Astrology Manuscripts. By W. D. Gann, Fred White, Prof. Weston, Sepharial, etc. This collection centers on a set of 4 rare manuscripts dated 1902-1930 proving the advanced level of astrology earlier than previously known. Their likely authorship is Fred White and Gann documenting the earliest thought in this field.
Financial Astrology
Financial Astrology
Financial Astrology
There is a close correlation between Astrological Economics and Cosmological Economics. We have one of the largest collections of works on Financial Astrology (Astroeconomics) in the world. These studies are very important in developing wider theories of causation, and our catalog contains most works of value written on the subject.
Eberhard Wortmann
View our Wortmann pages
View our Wortmann pages
The Law Of The Cosmos, The Divine Harmony According To Plato's Republic/Timeaus, and The Platonic Riddle Of Numbers Solved contains 100s of sophisticated diagrams on Sacred Geometry, Pythagorean and Platonic Number Theory, Harmonics and Astronomy with analysis, elaboration of Universal Order and Cosmic Law.
Zen
Zen
Zen
Zen and Chan are similar terms from Japanese and Chinese systems of Buddhism, but they originate from the Indian word Dhyana, loosely translated as "meditation". Zen is a mind science, giving direct access to the core layers of mind. The origin of Zen is in India, home of Buddhism. Allan Watt’s called it "Hinduism stripped for export".
Geometry
Geometry
Geometry
One of the 4 Classical Liberal Arts, geometry is a basic ordering principle of the universe. Market Geometry is the study of the markets looking at growth ratios and proportions of moves, structures, reactions, price levels and time cycles. Gann, a master geometer, used sacred geometry for market analysis via Gann Angles and his Master Squares.
Physics
Physics
Physics
We don't cover all theories of modern or academic physics, but specializes in unusual books relating to applications connected with such topics as financial forecasting, and alternative or ancient cosmology. We cover theories like electromagnetism, energy grids, vortex systems, wave theory, vibration, relativity, power laws and hyper-dimensions.
Pythagorean
Pythagorean
Pythagorean
Pythagoras, educated in Egypt and India, later founded a school on the Isle of Samos. His system of the Quadrivium: Arithemetic, Geometry, Music and Astronomy, the 4 Classical Liberal Arts, provided a foundational curriculum for centuries. Pythagoras has been a major influence on many thinkers, including, Plato, Kepler and many modern philosophers.
Pause Start Back Next Translation Society Titles Top Science Titles Top Metaphysics Titles Science Categories Metaphysics Categories Cosmological Economics Financial Astrology
The Sacred Science Translation Society began in 2004 as a project to translate a collection of the most important and rare works on Cosmology & Esoteric Science into English. Through Angel DonorsSubscribtion Contributions we raised over $40,000 to translate famous foreign masterpieces from French & German on critical subjects in Harmonics, Geometry, Esoteric Mathematics, & Ancient Cosmology.
Hans Kayser was one of the 20th century's leading scientists who made a profound mathematical, geometric and philosophical study of the Science of Harmonics. Now finally avaible in English though our Translation Society, Kayser's series of works explore the deepest principles of Pythagorean Harmony & Order.  His profound research reveals critical insights into Gann Theory & The Law of Vibration.
Our second translation is a French masterpiece on the establishment of a "Golden Rule" according to the principles of Tantrism, Taoism, Pythagoreanism, & the Kabala, serving to fulfill the Laws of Universal Harmony & contributing to the accomplishment of the Great Work. It develops a system of correspondences between the symbolic, geometrical, mathematical & astronomical systems of architecture of the ancient world.
The Law Of The Cosmos: The Divine Harmony According To Plato's Republic/Timeaus. The Platonic Riddle Of Numbers Solved contains hundreds of the most sophisticated diagrams on Sacred Geometry, Pythagorean & Platonic Number Theory, Harmonics & Astronomy with analysis & elaboration of Universal Order & Cosmic Law. Herman Hesse called him a Magisterludi of the Glass Bead Game.
THE ARCHEOMETER: Key To All The Religions & Sciences of Antiquity, Synthetic Reformation of All Contemporary Arts. The Archeometer is the instrument used by the Ancients for the formation of the esoteric Canon of ancient Art and Science in its various architectural, musical, scientific forms. A highly respected elaborations of the Universal System, by one of the great esotericists of the 19th century.
W.D. Gann Works
W.D. Gann Works
W.D. Gann Works
We stock the complete collection of the works of W.D. Gann. His private courses represent the most important of his writings, going into much greater detail than the public book series. Our 6 Volume set of Gann's Collected Writings includes supplementary rare source materials, and is the most reliable compliation of Gann's unadulterated vital work.
Dr. Jerome Baumring
Dr. Jerome Baumring
Dr. Jerome Baumring
The work of Dr. Baumring is the core inspiration upon which this entire website is based. Baumring is the only known modern person to have cracked the code behind WD Gann’s system of trading and market order. Baumring found and elaborated the system of scientific cosmology at the root of Gann’s Law of Vibration. There is no other Gann teaching that gets close to the depth of Baumring’s work.

Natural Architecture Editor's Foreword by Alexandre Rouhier

Translation Society Edition

Foreword

“This temple is like Heaven in all its arrangements.”<br /> (Inscription on the temple of Ramses II.)
“This temple is like Heaven in all its arrangements.”
(Inscription on the temple of Ramses II.)

About five or six years ago, a master of the work brought us a manuscript written in Latin, illustrated with singular geometric figures, and accompanied by plans of civil and religious edifices. It came, he told us, from a traditional and pure source. This work appeared to us to present considerable interest. It demonstrated not only that the geometric outlines and numbers derived from the regular partition of the sphere determine universal constructive rules (which our present epoch has entirely forgotten), but also that these rules could also serve for the spiritual perfection of man, his intellectual development, and the realization of his material well-being, all at the same time. We therefore thought it indispensable to publish it.

This is why we present, to those who may still be interested by these questions, the version of this manuscript in French, as close as possible,. We have meticulously respected the terminology and translated all the terms integrally, even though some of them appeared to us to be susceptible to criticism, discussion, or controversy. We believe, in fact, that this “Report by a Master of the Work” cannot be considered a “work of science and erudition” in the narrow sense in which it is understood in our times, but as the expression of an essentially realizing “companion doctrine,” transmitted by an author indifferent to those minutiae, quibbles, and philosophic subtleties that are not effectively constructive.

From the hollow dwellings full of obscurity god through time draws out truth
From the hollow dwellings full of obscurity god through time draws out truth

This doctrine is not new. It presided over the building of the most famous works of the ancients. We have thus thought it useful to illustrate the text of this book with symbolic engravings, reproducing the documents or monuments of times past, of many various lands and epochs. Each of them reveals certain constructive rules of the Master of the Work.[1] They will thus contribute to proving their great antiquity and to demonstrating the universality of their applications, and will clarify a way of thinking whose marked synthetic and technical character can sometimes make its access difficult. We have chosen them from among many others, all just as demonstrative; the attentive reader will find many more of them when he studies the monuments of the epochs illustrated which still arouse admiration in modern times.

Moreover, this iconography has appeared to us to constitute an indispensable complement, and as it were a more material expression of the Author’s geometric designs, which themselves are expressions of the metaphysical principles from which they proceed.

Thus, we have wished to present this “Work” in a way analogous to that of the cathedrals of olden days. There, on the exterior and especially on the porches, the builders assembled a whole symbolic imagery, explicative of the edifice, while leaving the interior of the vessel naked of all ornamentation[2] and rich in its geometric proportions alone, so favorable to meditation and creative of that atmosphere of sacred contemplation which facilitates access to the divine.

We have tried equally hard, logically, to realize the typographic construction of this book according to the proportions and numbers corresponding to the constructive rules that it teaches.[3]

Appearing thus, with its uncommon theories, its strange figures, its recalling of old sciences considered as “ridiculous reveries” by some and “damned sciences” by others, this singular work risks appearing disconcerting or obscure to certain people... “You must open the book,” we remind them with Rabelais, “and painstakingly evaluate that which is inferred. Then you will know that the drug contained therein is of far different value than its container suggested.” We therefore beseech the reader to beware of a hasty or superficial examination and not to make his judgment until after having patiently and attentively studied this remarkable synthesis of the traditional sciences and arts, first in its entirety, then in its details.

For an easier beginning, we recommend first reading (p. xvi) the “Plan of the work” which was attached to the manuscript, then the analytical “Table of contents” that we have prepared, and finally (pp. 325 to 328) the Author’s “Conclusion.” The reader will then have an idea of the totality of the Work; it will guide him usefully throughout the exposition of an idea, which, to be brief, had to be expressed with more concision than the gravity of the subject, its extent, and the richness of its immediate conclusions deserved.

The device surrounding the mark (which is reproduced here) of Conrad Badius, the Genevan bookseller of the 16th century, serves us as a conclusion, because it illustrates perfectly the spirit and the value of this “Report”:

From the hollow dwellings, full of obscurity,
God, through Time, draws out Truth.

It falls to you now, benevolent reader, to make the effort indispensable to the discovery of “this” Truth. It will then become “yours,” because it is a universal Truth.

At the Holy Balsam<br /> solstitial night of the Feast of Fire<br /> (Nativity of John the Baptist)24th June, 1944
At the Holy Balsam
solstitial night of the Feast of Fire
(Nativity of John the Baptist)24th June, 1944

The Editor<br /> Alexandre Rouhier
The Editor
Alexandre Rouhier

THE MASTER OF THE WORK<br /> “...Antiquam exquirite matrem.”<br /> (Virgil: Aeneid, III, 96.)
THE MASTER OF THE WORK
“...Antiquam exquirite matrem.”
(Virgil: Aeneid, III, 96.)

Notes

[1] At the bottom of the pages where they are reproduced, we have attempted to draw the reader’s attention to their symbolic content, through short clarifying notes (marked with a small lozenge ♦ or a small square ■). These notes aim neither to be complete nor to exhaust the meaning of the engraving, but only to direct the reader’s mind to the correspondences existing between these illustrations and the Author’s theories. Certain figures have no commentary, not because their symbolism is too obvious or too well known to the adept, but because their explanation would lead to overly lengthy developments.

It is thus, using only this initial example, that the construction, dimensions, and ornamentation of the architectural porch of the title page contain, in the numbers and reciprocal ratios of the stones on the pediment, the entablature, the columns, and the 3 steps, an ensemble of numeric ratios which the informed reader will take pleasure in discovering; the number, for example, given by the stones of the 3 steps of the base, here replacing the 3 magical enclosures, are those of the architect’s just square: 3, 4, 5; the entablature symbolizes the constructive word ABRACADABRA; the stones of the columns, with or without the base, show the fundamental opposition of 18 and 15 which is that of the senary and quinary, etc...

[2] Obviously we do not count the narrow mediating belt formed by the ornamental line of the capitals, because it disappears in the ensemble of the geometric lines of the nave; nor the keystones of the vault. We call it a mediating belt, believing that whenever there is ornamentation there is mediation, because all ornaments (sculpture, painting, inscriptions) must be considered as magical in their essence, and because magic belongs to the intermediary World. The keystone of the ornate vault, point of departure of the broken arch, indicates a mediation between the Non-manifested and the totality of Manifestation; the capital may be considered as mediator between the curvilinear form of the ogive arch (representing universal Manifestation) and the straight form of the pillar (representing individual Manifestation).

[3] Just as, in Plato’s description, the temple of Poseidon is the center of the royal city of Atlantis, the “mediating diagram” of the Master of the Work (fig. 27) appears incontestably as the symbolic “omphalos” of this “Report,” and its proportions are those of the plan of the Atlantean sanctuary. If one reduces this temple to a width of 1 millimeter, the diameter of the royal City becomes equal to 10 English inches (the English inch, the only inch of which we speak, equals 0.0254 m.), which is precisely the length given by the Author to his mediating diagram, whose length is equal to 20 inches. (We recall that the King’s  chamber in the Great Pyramid is 10 royal Egyptian cubits wide by 20 cubits long, and that the “flying book” in the vision of Zechariah [Zec. V, 2] is also 10 by 20 cubits.) This is the dimension of the mediating diagram, intended to be printed on a full page, which has led us to choose in-folio super royal paper as a format. The height of a leaf being 22 inches (0.559 m.), and its width 15 (0.381 m.), this format is directly linked to the Egyptian approximation of the number π, i.e. to 22 : 7 (= 22 : 22 – 15), as well as to important Kabalistic numbers.

The dimension of the characters chosen for printing is equally symbolic: those of the text are 24-point, those of the notes 18; this opposition, in the ratio of 4 to 3, represents the inferior generation which corresponds to the Worlds of individual Manifestation.

The typographical “justification” (length of lines) is 10 inches (0.254 m.); the typographical “height of the page” is 16 inches (0.406 m.); the dimension of the printed text are therefore, according to the Author’s terminology, those of a golden rectangle, while the mediating diagram is a silver rectangle. The oppositions of 3 and 2, and those of 11 and 8, to which the Master of the Work draws ceaseless attention, are reproduced between the width of a leaf and that of the justification on the one hand, and between the height of a leaf and the typographical “height of the page” on the other hand.

The blanks of the margins (exterior and interior) make 5 inches in total, while the blanks at the head and foot of the page together make 6 inches. Their union and their crucial opposition therefore again represents the union and opposition of the quinary and senary which one encounters in all the constructions of universal character; they are found in the frames of the mediating diagram.

We even wished to represent these so fertile mutations 5 ↔ 6 in the form of the “cross-references”; this is why the 5-pointed star, in the text, sends one to the 6-pointed star, in the notes, from the beginning of the work as far as the “geometric Tau” and the corresponding “Crucifixion,” which are the 80th and 81st images of the “Report.” Then these cross-references permutate, and the 6-pointed star of the text sends one to the 5-pointed star of the notes.

Just as the voyage of Pantagruel in search of the Holy Bottle is marked by 35 or 36 stages (see p. 269), the Author’s text is divided into 35 or 36 chapters, depending on whether one counts the conclusion, in the form of a flask or hermetic Vessel as a distinct chapter.

Moreover, the “Report” comprises 50 geometric figures and 22 plates. In the footnotes there are 7 small figures, of geometric character, not titled. The documentary illustration which we have added consists of 108 engravings and 7 geometrical designs, titled, placed so as to conform to the symbolism of the mediating diagram which has guided the construction of the book.

The footnotes are the Author’s, except where indicated to the contrary. Some, attached to the manuscript on separate leaves and without indication of placement, have been added in 12 “Appendices” to the end of the work.

Only 252 (= 36 × 7) (= 108 × 7 : 3) copies of the book have been printed, which required 63 (= 108 × 7 : 12) reams of paper.

All these numbers, their groupings, their oppositions (5 ↔ 6, 7 ↔ 12, 35 ↔ 36, 22 ↔ 50, 80 ↔ 81, 108 ↔ 7) have a symbolic value and present a traditional character; they are found in the laws of the regular partition of the sphere, whose value emerges clearly from the Author’s theories.

The indication of the place and date which precedes the signature of the Editor realizes, by its form and colors, a complementary opposition with the philosopher’s bottle on page 320, which confirms the mystical conclusion of the Master of the Work; this cup (or Grail) contains, moreover, a symbolic chronogram which yields important Taoist, Pythagorean, and Kabalistic numbers. Cinnabar (salt of sulfur and mercury) is part of the composition of the red ink used. The white of the paper, the black and red of the inks, are the colors of the philosopher’s Stone, which also indicates that this book is really, in all its degrees, the “Book of the Great Transmutation.”

Related Pages

Sign up for email NewsLetter Download Latest NewsLetter
$0.00
$ (USD)
Institute of Cosmological Economics > ICE Forum index
Donald Bradley
View our Donald Bradley pages
View our Donald Bradley pages
Donald Bradley is famous for creating the Siderograph model of market action, and he wrote other astrological books which we publish in our Collected Works of Donald Bradley. His Siderograph Model is famous for providing an almost perfect model of market action over the year. Our course has 100 years of Siderograph models (1950-2050).
T. G. Butaney
View our T. G. Butaney pages
View our T. G. Butaney pages
T. G. Butaney, a famous Indian astrologer, wrote 3 books on astrological financial market forecasting and horse racing prediction. His books were judged "The Best Money Minting Books on Speculation and Racing By Readers All Over The World", and explain Market Forecasting, Race Astrology & Numerology and Handicap Formulae.
George Bayer
George Bayer
George Bayer
Works by or about George Bayer, or source works referred to by Bayer or related to his work.
Options Trading
Options Trading
Options Trading
Options provide many very useful benefits, like locking in the limit of your risk, since you can never lose more than the cost of the option you purchase. With the current volatility of the market and overnight trading, many traders are afraid to hold positions overnight, but options can give a safe way to hold open positions without fear of extreme volatility.
Richard Scott
View our Richard Scott pages
View our Richard Scott pages
Scott dedicated 7 years to analyze 100 years of Dow Jones data to decode the causative effect of planetary influences. He analyzed the background energetic effects of astrological elements to project influences. His methods need NO prior astrological knowledge nor the use of a horoscope to trade the Global Index, Stock, Futures and FOREX markets.
Swing Trading
Swing Trading
Swing Trading
Swing Trading works with short to intermediate term swings, usually with time periods from a few days to weeks, following a general changing trend and trading in each direction. Most systems consider position reversal, and try to trade short and long as the market changes direction. Gann taught swing trading first, with its relatively easy methodology.
Science Biography
Science Biography
Science Biography
There are a many important historical figures in the field of science and cosmology, like Pythagoras, Plato, Hermes, Bruno, or the misrepresented Isaac Newton. The work of these outstanding men contributed a great deal to our extended fields of knowledge. We specialise in books exploring the work of past masters who contributed so much.
Codes and Ciphers
Codes & Ciphers
Codes & Ciphers
We have books on symbolic codes and ciphers from various esoteric traditions, including Masonic codes. Gann used codes in "Tunnel Through the Air", and encrypted his personal notes using a code called "Bell, Book and Candle". Gann enthusiasts study Masonic codes to help uncover his secrets.
4th Dimension
4th Dimension
4th Dimension
Much science from the 1800’s postulated a 4th Dimension, often considered to represent Time, in relationship to 3-Dimensional space. Gann himself posited the idea of space itself being a 4th dimension in the markets, which requires the Gann theorist to become familiar with complex and often metaphysical theories of extended dimensionality.
Learning Systems
Learning Systems
Learning Systems
Special Learning Systems use maximally efficient techniques to accelerate learning, enhancing memory, rapid mathematical calculation techniques, artistic systems, physical, and mental or spiritual training programs. Ancient and modern intellectual technologies combine to create new fruitful approaches to learning and understanding.
Natural Order
Natural Order
Natural Order
Natural Order has from ancient times looked deeply into principles of order behind nature and the universe, like phyllotaxis which governs the placement of leaves on plants, the harmonic ratios between the placement of the planets in the solar system, or the spirilic mathematics of galaxies. Natural order reveals magical relationships in the natural world.
Gordon Roberts
View our Gordon Roberts pages
View our Gordon Roberts pages
A profitable Trading Strategy using Gann's best approach of Leveraged Position Trading to gain large profits from small capital using a powerful secret Options Strategy that maximizes profits through high leverage while limiting risk. Based upon Gann's book, Profits In Commodities and the author's 20 years experience in Gann research and trading.
34.230.68.214
Disclaimer Privacy Policy Terms and Conditions

Guarded by Cerberus