The Earliest Financial Astrology Manuscripts. By W. D. Gann, Fred White, Prof. Weston, Sepharial, etc. This collection centers on a set of 4 rare manuscripts dated 1902-1930 proving the advanced level of astrology earlier than previously known.
Their likely authorship is Fred White and Gann documenting the earliest thought in this field.
Ferrera 2019 Outlook
Ferrera's General Outlook for 2019 is our most popular market letter. All traders know that in times of global financial crisis, market confusion, and economic instability, it is critical to obtain the best knowledge.
In it's 11th year, Dan Ferrera's Outlook is based on experience developing advanced technical models giving market insight equal to the best advisors.
Gold Secrets Revealed
L. David Linsky's new book "The Key to Speculation in the Gold Market" reveals a method to accurately predict when Gold will make its tops and bottoms. Gold Market projections since 1974 have an accuracy of 90-99%, and insight into previously unknown cycles will allow any trader to capture Gold's primary swings for the rest of their life.
Long Term Investing
The time window is a main consideration when investing.
Position trading methods will be of importance to the long term investor because he will want to know when to expect his greatest returns, and when to exit or hedge his position.
Much of Gannís work focuses on long term market movements, as he always tried to see the BIG picture.
Technical Analysis involves using technical tools and mathematical measurements in order to determine expected directional movements, reverses or changes in the market.
Advanced forms of this technique use mathematical and scientific or geometric tools to project market action or forecast future movement, looking at elements of price, time and trend.
Electromagnetism is a basis of Physics, but there remains mystery about the true nature of electricity.
Our books look back to the 1800ís where the subject involved vibrational physics and astronomical energy fields.
Gann was conncerned with the Law of Vibration as a principle of natural phenomena.
We don't cover all theories of modern or academic physics, but specializes in unusual books relating to applications connected with such topics as financial forecasting, and alternative or ancient cosmology.
We cover theories like electromagnetism, energy grids, vortex systems, wave theory, vibration, relativity, power laws and hyper-dimensions.
W.D. Gann Works
We stock the complete collection of the works of W.D. Gann.
His private courses represent the most important of his writings, going into much greater detail than the public book series. Our 6 Volume set of Gann's Collected Writings includes supplementary rare source materials, and is the most reliable compliation of Gann's unadulterated vital work.
Dr. Jerome Baumring
The work of Dr. Baumring is the core inspiration upon which this entire website is based. Baumring is the only known modern person to have cracked the code behind WD Gannís system of trading and market order.
Baumring found and elaborated the system of scientific cosmology at the root of Gannís Law of Vibration.
There is no other Gann teaching that gets close to the depth of Baumringís work.
Natural Architecture Editor's Foreword by Alexandre Rouhier
Translation Society Edition
About five or six years ago, a master of the work brought us a manuscript written in Latin, illustrated with singular geometric figures, and accompanied by plans of civil and religious edifices. It came, he told us, from a traditional and pure source. This work appeared to us to present considerable interest. It demonstrated not only that the geometric outlines and numbers derived from the regular partition of the sphere determine universal constructive rules (which our present epoch has entirely forgotten), but also that these rules could also serve for the spiritual perfection of man, his intellectual development, and the realization of his material well-being, all at the same time. We therefore thought it indispensable to publish it.
This is why we present, to those who may still be interested by these questions, the version of this manuscript in French, as close as possible,. We have meticulously respected the terminology and translated all the terms integrally, even though some of them appeared to us to be susceptible to criticism, discussion, or controversy. We believe, in fact, that this “Report by a Master of the Work” cannot be considered a “work of science and erudition” in the narrow sense in which it is understood in our times, but as the expression of an essentially realizing “companion doctrine,” transmitted by an author indifferent to those minutiae, quibbles, and philosophic subtleties that are not effectively constructive.
This doctrine is not new. It presided over the building of the most famous works of the ancients. We have thus thought it useful to illustrate the text of this book with symbolic engravings, reproducing the documents or monuments of times past, of many various lands and epochs. Each of them reveals certain constructive rules of the Master of the Work. They will thus contribute to proving their great antiquity and to demonstrating the universality of their applications, and will clarify a way of thinking whose marked synthetic and technical character can sometimes make its access difficult. We have chosen them from among many others, all just as demonstrative; the attentive reader will find many more of them when he studies the monuments of the epochs illustrated which still arouse admiration in modern times.
Moreover, this iconography has appeared to us to constitute an indispensable complement, and as it were a more material expression of the Author’s geometric designs, which themselves are expressions of the metaphysical principles from which they proceed.
Thus, we have wished to present this “Work” in a way analogous to that of the cathedrals of olden days. There, on the exterior and especially on the porches, the builders assembled a whole symbolic imagery, explicative of the edifice, while leaving the interior of the vessel naked of all ornamentation and rich in its geometric proportions alone, so favorable to meditation and creative of that atmosphere of sacred contemplation which facilitates access to the divine.
We have tried equally hard, logically, to realize the typographic construction of this book according to the proportions and numbers corresponding to the constructive rules that it teaches.
Appearing thus, with its uncommon theories, its strange figures, its recalling of old sciences considered as “ridiculous reveries” by some and “damned sciences” by others, this singular work risks appearing disconcerting or obscure to certain people... “You must open the book,” we remind them with Rabelais, “and painstakingly evaluate that which is inferred. Then you will know that the drug contained therein is of far different value than its container suggested.” We therefore beseech the reader to beware of a hasty or superficial examination and not to make his judgment until after having patiently and attentively studied this remarkable synthesis of the traditional sciences and arts, first in its entirety, then in its details.
For an easier beginning, we recommend first reading (p. xvi) the “Plan of the work” which was attached to the manuscript, then the analytical “Table of contents” that we have prepared, and finally (pp. 325 to 328) the Author’s “Conclusion.” The reader will then have an idea of the totality of the Work; it will guide him usefully throughout the exposition of an idea, which, to be brief, had to be expressed with more concision than the gravity of the subject, its extent, and the richness of its immediate conclusions deserved.
The device surrounding the mark (which is reproduced here) of Conrad Badius, the Genevan bookseller of the 16th century, serves us as a conclusion, because it illustrates perfectly the spirit and the value of this “Report”:
From the hollow dwellings, full of obscurity, God, through Time, draws out Truth.
It falls to you now, benevolent reader, to make the effort indispensable to the discovery of “this” Truth. It will then become “yours,” because it is a universal Truth.
 At the bottom of the pages where they are reproduced, we have attempted to draw the reader’s attention to their symbolic content, through short clarifying notes (marked with a small lozenge ♦ or a small square ■). These notes aim neither to be complete nor to exhaust the meaning of the engraving, but only to direct the reader’s mind to the correspondences existing between these illustrations and the Author’s theories. Certain figures have no commentary, not because their symbolism is too obvious or too well known to the adept, but because their explanation would lead to overly lengthy developments.
It is thus, using only this initial example, that the construction, dimensions, and ornamentation of the architectural porch of the title page contain, in the numbers and reciprocal ratios of the stones on the pediment, the entablature, the columns, and the 3 steps, an ensemble of numeric ratios which the informed reader will take pleasure in discovering; the number, for example, given by the stones of the 3 steps of the base, here replacing the 3 magical enclosures, are those of the architect’s just square: 3, 4, 5; the entablature symbolizes the constructive word ABRACADABRA; the stones of the columns, with or without the base, show the fundamental opposition of 18 and 15 which is that of the senary and quinary, etc...
 Obviously we do not count the narrow mediating belt formed by the ornamental line of the capitals, because it disappears in the ensemble of the geometric lines of the nave; nor the keystones of the vault. We call it a mediating belt, believing that whenever there is ornamentation there is mediation, because all ornaments (sculpture, painting, inscriptions) must be considered as magical in their essence, and because magic belongs to the intermediary World. The keystone of the ornate vault, point of departure of the broken arch, indicates a mediation between the Non-manifested and the totality of Manifestation; the capital may be considered as mediator between the curvilinear form of the ogive arch (representing universal Manifestation) and the straight form of the pillar (representing individual Manifestation).
 Just as, in Plato’s description, the temple of Poseidon is the center of the royal city of Atlantis, the “mediating diagram” of the Master of the Work (fig. 27) appears incontestably as the symbolic “omphalos” of this “Report,” and its proportions are those of the plan of the Atlantean sanctuary. If one reduces this temple to a width of 1 millimeter, the diameter of the royal City becomes equal to 10 English inches (the English inch, the only inch of which we speak, equals 0.0254 m.), which is precisely the length given by the Author to his mediating diagram, whose length is equal to 20 inches. (We recall that the King’s chamber in the Great Pyramid is 10 royal Egyptian cubits wide by 20 cubits long, and that the “flying book” in the vision of Zechariah [Zec. V, 2] is also 10 by 20 cubits.) This is the dimension of the mediating diagram, intended to be printed on a full page, which has led us to choose in-folio super royal paper as a format. The height of a leaf being 22 inches (0.559 m.), and its width 15 (0.381 m.), this format is directly linked to the Egyptian approximation of the number π, i.e. to 22 : 7 (= 22 : 22 – 15), as well as to important Kabalistic numbers.
The dimension of the characters chosen for printing is equally symbolic: those of the text are 24-point, those of the notes 18; this opposition, in the ratio of 4 to 3, represents the inferior generation which corresponds to the Worlds of individual Manifestation.
The typographical “justification” (length of lines) is 10 inches (0.254 m.); the typographical “height of the page” is 16 inches (0.406 m.); the dimension of the printed text are therefore, according to the Author’s terminology, those of a golden rectangle, while the mediating diagram is a silver rectangle. The oppositions of 3 and 2, and those of 11 and 8, to which the Master of the Work draws ceaseless attention, are reproduced between the width of a leaf and that of the justification on the one hand, and between the height of a leaf and the typographical “height of the page” on the other hand.
The blanks of the margins (exterior and interior) make 5 inches in total, while the blanks at the head and foot of the page together make 6 inches. Their union and their crucial opposition therefore again represents the union and opposition of the quinary and senary which one encounters in all the constructions of universal character; they are found in the frames of the mediating diagram.
We even wished to represent these so fertile mutations 5 ↔ 6 in the form of the “cross-references”; this is why the 5-pointed star, in the text, sends one to the 6-pointed star, in the notes, from the beginning of the work as far as the “geometric Tau” and the corresponding “Crucifixion,” which are the 80th and 81st images of the “Report.” Then these cross-references permutate, and the 6-pointed star of the text sends one to the 5-pointed star of the notes.
Just as the voyage of Pantagruel in search of the Holy Bottle is marked by 35 or 36 stages (see p. 269), the Author’s text is divided into 35 or 36 chapters, depending on whether one counts the conclusion, in the form of a flask or hermetic Vessel as a distinct chapter.
Moreover, the “Report” comprises 50 geometric figures and 22 plates. In the footnotes there are 7 small figures, of geometric character, not titled. The documentary illustration which we have added consists of 108 engravings and 7 geometrical designs, titled, placed so as to conform to the symbolism of the mediating diagram which has guided the construction of the book.
The footnotes are the Author’s, except where indicated to the contrary. Some, attached to the manuscript on separate leaves and without indication of placement, have been added in 12 “Appendices” to the end of the work.
Only 252 (= 36 × 7) (= 108 × 7 : 3) copies of the book have been printed, which required 63 (= 108 × 7 : 12) reams of paper.
All these numbers, their groupings, their oppositions (5 ↔ 6, 7 ↔ 12, 35 ↔ 36, 22 ↔ 50, 80 ↔ 81, 108 ↔ 7) have a symbolic value and present a traditional character; they are found in the laws of the regular partition of the sphere, whose value emerges clearly from the Author’s theories.
The indication of the place and date which precedes the signature of the Editor realizes, by its form and colors, a complementary opposition with the philosopher’s bottle on page 320, which confirms the mystical conclusion of the Master of the Work; this cup (or Grail) contains, moreover, a symbolic chronogram which yields important Taoist, Pythagorean, and Kabalistic numbers. Cinnabar (salt of sulfur and mercury) is part of the composition of the red ink used. The white of the paper, the black and red of the inks, are the colors of the philosopher’s Stone, which also indicates that this book is really, in all its degrees, the “Book of the Great Transmutation.”
Books by and about the geometrical techniques of Dr. Alan Andrews, developer of the Pitchfork, the ML Line and a number of excellent geometrically based tools.
Applied Gann Theory
Supported by the cosmological theory behind Gannís work, we also specialize in practical tools needed to analyze and trade the markets.
This category will specifically focus upon the books and courses that provide very specific and applied tools from Gannís toolbox used for real time trading.
Dr Lorrie V. Bennett
Dr. Lorrie V. Bennett is a master of the Law of Vibration and a true expert on the science of the great W.D. Gann.
Her recently released 4-Volume Master Series "The Law of Vibration" contains her entire teachings on Gann Theory in the transparent light of practical application. Learn in real-time from a living master's books and her interactive online forum.
Law of Vibration
The Law of Vibration 4 Volume Series by Dr. Lorrie Bennett on Gann analysis explains the scientific foundations behind W.D. Gann's forecasting system, the Law of Vibration. Dr. Bennett is the first person since Dr. Baumring to solve much of the puzzle left behind by Gann! V1-Patterns, V2-Numbers, V3-Planets, V4-Geometry.
Works by or about George Bayer, or source works referred to by Bayer or related to his work.
The two fundamental elements of reality are space and time, and of the markets price and time.
Gann always said that Time is the most important variable.
If you know exactly WHEN to place your trades, when the market will turn, top, bottom, react or breakout, you will be able to trade or invest with great precision.
The Square: Quantitative Analysis Of Financial Price Structure by Catalin Plapcianu develops the science behind Gann's Squaring of Price and Time. Proves that financial markets are mathematically controlled and predictable. A deep insight into Gann and Baumring's deepest system which tracks energy through the space/time matrix.
Franz Bardon's magical works present a path of initiation through 3 levels of the Tarot.
The first book teaches internal training, the second teaches the science of Magical Evocation, and the third teaches transcendental methods of the Kaballah.
Frabato presents biographical informatioin about Bardon, with commentaries by friends and students.
A modern history of Freemasonry begins in the 1700ís with the Knights Templar and the Gothic Cathedrals, but its inner lore goes back to King Solomon and Ancient Egypt.
Freemasonry was an inner teaching preserving the deep spiritual wisdom of mankind, but has been diluted in modern times.
Our collection focuses on the teachings of original Freemasonry.
Zen and Chan are similar terms from Japanese and Chinese systems of Buddhism, but they originate from the Indian word Dhyana, loosely translated as "meditation".
Zen is a mind science, giving direct access to the core layers of mind.
The origin of Zen is in India, home of Buddhism. Allan Wattís called it "Hinduism stripped for export".
Codes and Ciphers
We have books on symbolic codes and ciphers from various esoteric traditions, including Masonic codes.
Gann used codes in "Tunnel Through the Air", and encrypted his personal notes using a code called "Bell, Book and Candle".
Gann enthusiasts study Masonic codes to help uncover his secrets.
The vortex, a key element of 19th century aether physics, was critical to W.D. Gannís market science and was taken up by great thinkers like Walter Russell and Edwin Babbitt.
Vortex and Toroidal energy theory provides a dynamic space-time model of energy fields from human and plants to planets, suns, solar systems, and galaxies.