Bradley's Stock Market Prediction. 100 Years of Siderograph Charts and Software. The Siderograph Indicator is a market model used by many analysts to give current turning points and trend indications for the markets.
This book includes the original text and charts for 100 years from 1950 to 2050, along with the software to produce the charts.
The Golden Age of Technical Analysis extended from 1910 through 1960, when the greatest analysts lived and developed foundational principles.
Dr. Baumring selected the best works for his students, believing it best to study from the great masters.
Books by masters of the past have as much value for students today as they did back in their own day.
Rudolf Steiner, founder of the Waldorf Schools, developed Anthroposophy, a science based on psychic perception of hidden elements in nature and reality.
Olive Whicher and George Adams extended projective geometry into a study of spiritual to material spaces.
Students of Gann find invaluable insights into Steiner's system, as taught by Dr. Baumring.
One can learn much by studying the lives and achievements of the great thinkers who have shaped human history and culture.
In our biographical library we have a collection of rare texts which complement theoretical study by allowing deeper insight into the characters and deeds of many significant philosophers.
Cosmology provides the primary basis for our theoretical system of market order and scientific analysis. Moving beyond modern ideas, our approach to Cosmology involves Pythagorean, Esoteric, Eastern, and Ancient metaphysical theories of cosmology.
Our ICE collection focuses on ancient concepts as well as modern alternative theories of the universe.
Time is a primary consideration in science, philosophy or financial market theory.
Our collection of titles on Time in all of its elements covers subjects which range from Hyperdimensional Time Cycles to Relativity and Spacetime.
Books selected by Dr. Baumring and W.D.Gann provide deep insights into market analysis and scientific or esoteric cosmology.
Sean Erikson, with 25 years' experience, provides powerful astro-tools for advanced swing trading based upon celestial mechanics to consistently predict the angle of attack or slope of a forthcoming trend.
A simple astro-timing tool gives the next 1-3 turns out and a geometrical price projection tool gives 2 probable price projections for each move.
W.D. Gann Works
We stock the complete collection of the works of W.D. Gann.
His private courses represent the most important of his writings, going into much greater detail than the public book series. Our 6 Volume set of Gann's Collected Writings includes supplementary rare source materials, and is the most reliable compliation of Gann's unadulterated vital work.
Dr. Jerome Baumring
The work of Dr. Baumring is the core inspiration upon which this entire website is based. Baumring is the only known modern person to have cracked the code behind WD Gannís system of trading and market order.
Baumring found and elaborated the system of scientific cosmology at the root of Gannís Law of Vibration.
There is no other Gann teaching that gets close to the depth of Baumringís work.
Natural Architecture Editor's Foreword by Alexandre Rouhier
Translation Society Edition
About five or six years ago, a master of the work brought us a manuscript written in Latin, illustrated with singular geometric figures, and accompanied by plans of civil and religious edifices. It came, he told us, from a traditional and pure source. This work appeared to us to present considerable interest. It demonstrated not only that the geometric outlines and numbers derived from the regular partition of the sphere determine universal constructive rules (which our present epoch has entirely forgotten), but also that these rules could also serve for the spiritual perfection of man, his intellectual development, and the realization of his material well-being, all at the same time. We therefore thought it indispensable to publish it.
This is why we present, to those who may still be interested by these questions, the version of this manuscript in French, as close as possible,. We have meticulously respected the terminology and translated all the terms integrally, even though some of them appeared to us to be susceptible to criticism, discussion, or controversy. We believe, in fact, that this “Report by a Master of the Work” cannot be considered a “work of science and erudition” in the narrow sense in which it is understood in our times, but as the expression of an essentially realizing “companion doctrine,” transmitted by an author indifferent to those minutiae, quibbles, and philosophic subtleties that are not effectively constructive.
This doctrine is not new. It presided over the building of the most famous works of the ancients. We have thus thought it useful to illustrate the text of this book with symbolic engravings, reproducing the documents or monuments of times past, of many various lands and epochs. Each of them reveals certain constructive rules of the Master of the Work. They will thus contribute to proving their great antiquity and to demonstrating the universality of their applications, and will clarify a way of thinking whose marked synthetic and technical character can sometimes make its access difficult. We have chosen them from among many others, all just as demonstrative; the attentive reader will find many more of them when he studies the monuments of the epochs illustrated which still arouse admiration in modern times.
Moreover, this iconography has appeared to us to constitute an indispensable complement, and as it were a more material expression of the Author’s geometric designs, which themselves are expressions of the metaphysical principles from which they proceed.
Thus, we have wished to present this “Work” in a way analogous to that of the cathedrals of olden days. There, on the exterior and especially on the porches, the builders assembled a whole symbolic imagery, explicative of the edifice, while leaving the interior of the vessel naked of all ornamentation and rich in its geometric proportions alone, so favorable to meditation and creative of that atmosphere of sacred contemplation which facilitates access to the divine.
We have tried equally hard, logically, to realize the typographic construction of this book according to the proportions and numbers corresponding to the constructive rules that it teaches.
Appearing thus, with its uncommon theories, its strange figures, its recalling of old sciences considered as “ridiculous reveries” by some and “damned sciences” by others, this singular work risks appearing disconcerting or obscure to certain people... “You must open the book,” we remind them with Rabelais, “and painstakingly evaluate that which is inferred. Then you will know that the drug contained therein is of far different value than its container suggested.” We therefore beseech the reader to beware of a hasty or superficial examination and not to make his judgment until after having patiently and attentively studied this remarkable synthesis of the traditional sciences and arts, first in its entirety, then in its details.
For an easier beginning, we recommend first reading (p. xvi) the “Plan of the work” which was attached to the manuscript, then the analytical “Table of contents” that we have prepared, and finally (pp. 325 to 328) the Author’s “Conclusion.” The reader will then have an idea of the totality of the Work; it will guide him usefully throughout the exposition of an idea, which, to be brief, had to be expressed with more concision than the gravity of the subject, its extent, and the richness of its immediate conclusions deserved.
The device surrounding the mark (which is reproduced here) of Conrad Badius, the Genevan bookseller of the 16th century, serves us as a conclusion, because it illustrates perfectly the spirit and the value of this “Report”:
From the hollow dwellings, full of obscurity, God, through Time, draws out Truth.
It falls to you now, benevolent reader, to make the effort indispensable to the discovery of “this” Truth. It will then become “yours,” because it is a universal Truth.
 At the bottom of the pages where they are reproduced, we have attempted to draw the reader’s attention to their symbolic content, through short clarifying notes (marked with a small lozenge ♦ or a small square ■). These notes aim neither to be complete nor to exhaust the meaning of the engraving, but only to direct the reader’s mind to the correspondences existing between these illustrations and the Author’s theories. Certain figures have no commentary, not because their symbolism is too obvious or too well known to the adept, but because their explanation would lead to overly lengthy developments.
It is thus, using only this initial example, that the construction, dimensions, and ornamentation of the architectural porch of the title page contain, in the numbers and reciprocal ratios of the stones on the pediment, the entablature, the columns, and the 3 steps, an ensemble of numeric ratios which the informed reader will take pleasure in discovering; the number, for example, given by the stones of the 3 steps of the base, here replacing the 3 magical enclosures, are those of the architect’s just square: 3, 4, 5; the entablature symbolizes the constructive word ABRACADABRA; the stones of the columns, with or without the base, show the fundamental opposition of 18 and 15 which is that of the senary and quinary, etc...
 Obviously we do not count the narrow mediating belt formed by the ornamental line of the capitals, because it disappears in the ensemble of the geometric lines of the nave; nor the keystones of the vault. We call it a mediating belt, believing that whenever there is ornamentation there is mediation, because all ornaments (sculpture, painting, inscriptions) must be considered as magical in their essence, and because magic belongs to the intermediary World. The keystone of the ornate vault, point of departure of the broken arch, indicates a mediation between the Non-manifested and the totality of Manifestation; the capital may be considered as mediator between the curvilinear form of the ogive arch (representing universal Manifestation) and the straight form of the pillar (representing individual Manifestation).
 Just as, in Plato’s description, the temple of Poseidon is the center of the royal city of Atlantis, the “mediating diagram” of the Master of the Work (fig. 27) appears incontestably as the symbolic “omphalos” of this “Report,” and its proportions are those of the plan of the Atlantean sanctuary. If one reduces this temple to a width of 1 millimeter, the diameter of the royal City becomes equal to 10 English inches (the English inch, the only inch of which we speak, equals 0.0254 m.), which is precisely the length given by the Author to his mediating diagram, whose length is equal to 20 inches. (We recall that the King’s chamber in the Great Pyramid is 10 royal Egyptian cubits wide by 20 cubits long, and that the “flying book” in the vision of Zechariah [Zec. V, 2] is also 10 by 20 cubits.) This is the dimension of the mediating diagram, intended to be printed on a full page, which has led us to choose in-folio super royal paper as a format. The height of a leaf being 22 inches (0.559 m.), and its width 15 (0.381 m.), this format is directly linked to the Egyptian approximation of the number π, i.e. to 22 : 7 (= 22 : 22 – 15), as well as to important Kabalistic numbers.
The dimension of the characters chosen for printing is equally symbolic: those of the text are 24-point, those of the notes 18; this opposition, in the ratio of 4 to 3, represents the inferior generation which corresponds to the Worlds of individual Manifestation.
The typographical “justification” (length of lines) is 10 inches (0.254 m.); the typographical “height of the page” is 16 inches (0.406 m.); the dimension of the printed text are therefore, according to the Author’s terminology, those of a golden rectangle, while the mediating diagram is a silver rectangle. The oppositions of 3 and 2, and those of 11 and 8, to which the Master of the Work draws ceaseless attention, are reproduced between the width of a leaf and that of the justification on the one hand, and between the height of a leaf and the typographical “height of the page” on the other hand.
The blanks of the margins (exterior and interior) make 5 inches in total, while the blanks at the head and foot of the page together make 6 inches. Their union and their crucial opposition therefore again represents the union and opposition of the quinary and senary which one encounters in all the constructions of universal character; they are found in the frames of the mediating diagram.
We even wished to represent these so fertile mutations 5 ↔ 6 in the form of the “cross-references”; this is why the 5-pointed star, in the text, sends one to the 6-pointed star, in the notes, from the beginning of the work as far as the “geometric Tau” and the corresponding “Crucifixion,” which are the 80th and 81st images of the “Report.” Then these cross-references permutate, and the 6-pointed star of the text sends one to the 5-pointed star of the notes.
Just as the voyage of Pantagruel in search of the Holy Bottle is marked by 35 or 36 stages (see p. 269), the Author’s text is divided into 35 or 36 chapters, depending on whether one counts the conclusion, in the form of a flask or hermetic Vessel as a distinct chapter.
Moreover, the “Report” comprises 50 geometric figures and 22 plates. In the footnotes there are 7 small figures, of geometric character, not titled. The documentary illustration which we have added consists of 108 engravings and 7 geometrical designs, titled, placed so as to conform to the symbolism of the mediating diagram which has guided the construction of the book.
The footnotes are the Author’s, except where indicated to the contrary. Some, attached to the manuscript on separate leaves and without indication of placement, have been added in 12 “Appendices” to the end of the work.
Only 252 (= 36 × 7) (= 108 × 7 : 3) copies of the book have been printed, which required 63 (= 108 × 7 : 12) reams of paper.
All these numbers, their groupings, their oppositions (5 ↔ 6, 7 ↔ 12, 35 ↔ 36, 22 ↔ 50, 80 ↔ 81, 108 ↔ 7) have a symbolic value and present a traditional character; they are found in the laws of the regular partition of the sphere, whose value emerges clearly from the Author’s theories.
The indication of the place and date which precedes the signature of the Editor realizes, by its form and colors, a complementary opposition with the philosopher’s bottle on page 320, which confirms the mystical conclusion of the Master of the Work; this cup (or Grail) contains, moreover, a symbolic chronogram which yields important Taoist, Pythagorean, and Kabalistic numbers. Cinnabar (salt of sulfur and mercury) is part of the composition of the red ink used. The white of the paper, the black and red of the inks, are the colors of the philosopher’s Stone, which also indicates that this book is really, in all its degrees, the “Book of the Great Transmutation.”
For 20 years Dan Ferrera has been one of our most respected market analysts, with a Masterís Degree level of education in technical Gann analysis. One of the clearest interpreters of Gann, he produced his own advanced work of technical analysis, The Spirals of Growth & Decay, prior to writing detailed courses on every angle of Gannís work
Econ & SM Forecasting
Economic and Stock Market Forecasting, W. D. Gann's Science of Periodicity Sequencing, by Daniel T. Ferrera is a course which presents Gann's science of Mathematical Cyclic Sequencing of Market Pattern Periodicities showing how to use them in conjunction with Gann's cycle theory and to forecast the Global Economy,
Horse Racing & Gambling
Many traders develop an interest in betting on horse races, since astrological and numerological factors apply to both fields.
For example, sports involve data on event time and participant biographical data like birthdates.
Gann studied works by Sepharial, whose Arcana & Keys focused on astro-numerological horse race betting.
Behind the Veil
Behind the Veil, by Dr. Alexander Goulden is one of the favorite courses of technical analysts and serious traders. Based on scientific principles identifying Price Levels, Time Turning Points, and Trends, thru Harmonic, Astronomical and Geometrical Techniques developed by a Cambridge Scholar. A new angle on Gann's work.
Space-Time Forecasting of Economic Trends, Lost Archives of Muriel & Louis Hasbrouck. A highly important market research breakthrough theory!
The Hasbrouck Archives contain 40 years of accurate financial forecasts, based on a Theory of Solar Space/Time Field Forces influencing space weather and markets! A 90% accuracy record!.
The Square: Quantitative Analysis Of Financial Price Structure by Catalin Plapcianu develops the science behind Gann's Squaring of Price and Time. Proves that financial markets are mathematically controlled and predictable. A deep insight into Gann and Baumring's deepest system which tracks energy through the space/time matrix.
Baumring Financial List
Dr. Baumring compiled long reading lists even more comprehensive than Gann's, comprising works having key elements directly applicable to Gann Theory and Cosmological Economics.
Any student wanting to explore particular fields in depth will find Baumringís lists to be indispensable, since they over important but unfamiliar topics.
Scott dedicated 7 years to analyze 100 years of Dow Jones data to decode the causative effect of planetary influences.
He analyzed the background energetic effects of astrological elements to project influences. His methods need NO prior astrological knowledge nor the use of a horoscope to trade the Global Index, Stock, Futures and FOREX markets.
The term "occultism" is often misunderstood by those who fear the unknown. It simply refers to "hidden knowledge" and the various esoteric traditions, such as Theosophy, Anthroposophy, Magick, Hermetics, Tarot, and Astrology.
In the Alice Baily works channeled by The Tibetan, Djwhal Khul "occultism" encompasses all high esoteric science.
Celestial Mechanics deals particularly with the motion of celestial bodies, especially the solar system, but also wider regions of cosmic space.
The subject explores the relationships and processes of heavenly bodies, examining cycles of time, motions of celestial bodies, and the influences between cosmic and local forces.
The origin of modern chemistry goes back to the mysterious science of Alchemy, which originated in Ancient Egypt, know to the Arabs as Kemi, the Black Lands.
Alchemical experiments with chemicals and compounds led to the modern science of chemistry, although Alchemy incorporates spiritual and esoteric elements missing from chemistry.
The solution to Gann's Law of Vibration from the 1909 Ticker Interview. Penicka analyzes Gann's exact words correlating them with the cutting edge science of Gann's day to develop a system which identifies the "mathematical points of force" behind all market action.
A system of order based on atomic data generates master numbers for each market structure.