T. G. Butaney
View our T. G. Butaney pages
View our T. G. Butaney pages
T. G. Butaney, a famous Indian astrologer, wrote 3 books on astrological financial market forecasting and horse racing prediction. His books were judged "The Best Money Minting Books on Speculation and Racing By Readers All Over The World", and explain Market Forecasting, Race Astrology & Numerology and Handicap Formulae.
Catalin Plapcianu
View our Catalin Plapcianu pages
View our Catalin Plapcianu pages
Plapcianu followed Baumring's lead into the core of Gann's Cosmological System, cracking Gann's Squaring of Price and Time. He quantifies Gann's innermost system demonstrating how markets move in multi-dimensional Space & Time, including new and sophisticated trading algorithms which generate 4000% annualized returns.
Sepharial
View our Sepharial pages
View our Sepharial pages
Sepharial (Walter Gorn Old) was an associate of W. D. Gann and Blavatsky who produced a number of works on esotericism and financial market analysis, his Arcana & Keys being the most rare. We reprint Sepharial's original collection of the Arcana, The Kaleidoscope, a 1000 page collection of articles from the British Journal of Astrology.
Saint-Yves D'Alveydre
View our Saint-Yves D'Alveydre pages
View our Saint-Yves D'Alveydre pages
THE ARCHEOMETER: Key To All The Religions and Sciences of Antiquity; Synthetic Reformation of All Contemporary Arts. The Archeometer was used by the Ancients for the esoteric Canon of ancient Art and Science in its various architectural, musical and scientific forms. A respected elaboration of a Universal System by a great 19th century esotericist.
Hermetics
Hermetics
Hermetics
The wisdom teachings of the Egyptian "Thoth" (the Greek Hermes) were preserved in the Hermetic Arcana, translated from Greek by Ficino during the Renaissance. These trace back to the likes of Pythagoras and Solon (Socrates’ teacher), filtering through many channels to become the basis of Western Philosophy, Science and Esoteric traditions.
The Canon
The Canon
The Canon
The Canon refers primarily to an ancient esoteric system of knowledge and cosmology encoded into temples, artifacts, art and monuments. The Egyptians had a specific Canon to lay out the grids upon which they designed their art, and there are also canons of proportion used in the Renaissance, as well as by later artists, geometers and musicians.
Art
Art
Art
In Ancient times, art was more than a form of entertainment or decoration, being a means of preserving various forms and levels of knowledge, including scientific principles. A core element is called "The Canon", whereby through ratio, proportion, shape and symbolism, an entire system of universal knowledge can be encoded and preserved.
Pause Start Back Next Translation Society Titles Top Science Titles Top Metaphysics Titles Science Categories Metaphysics Categories Cosmological Economics Financial Astrology
The Sacred Science Translation Society began in 2004 as a project to translate a collection of the most important and rare works on Cosmology & Esoteric Science into English. Through Angel DonorsSubscribtion Contributions we raised over $40,000 to translate famous foreign masterpieces from French & German on critical subjects in Harmonics, Geometry, Esoteric Mathematics, & Ancient Cosmology.
Hans Kayser was one of the 20th century's leading scientists who made a profound mathematical, geometric and philosophical study of the Science of Harmonics. Now finally avaible in English though our Translation Society, Kayser's series of works explore the deepest principles of Pythagorean Harmony & Order.  His profound research reveals critical insights into Gann Theory & The Law of Vibration.
Our second translation is a French masterpiece on the establishment of a "Golden Rule" according to the principles of Tantrism, Taoism, Pythagoreanism, & the Kabala, serving to fulfill the Laws of Universal Harmony & contributing to the accomplishment of the Great Work. It develops a system of correspondences between the symbolic, geometrical, mathematical & astronomical systems of architecture of the ancient world.
The Law Of The Cosmos: The Divine Harmony According To Plato's Republic/Timeaus. The Platonic Riddle Of Numbers Solved contains hundreds of the most sophisticated diagrams on Sacred Geometry, Pythagorean & Platonic Number Theory, Harmonics & Astronomy with analysis & elaboration of Universal Order & Cosmic Law. Herman Hesse called him a Magisterludi of the Glass Bead Game.
THE ARCHEOMETER: Key To All The Religions & Sciences of Antiquity, Synthetic Reformation of All Contemporary Arts. The Archeometer is the instrument used by the Ancients for the formation of the esoteric Canon of ancient Art and Science in its various architectural, musical, scientific forms. A highly respected elaborations of the Universal System, by one of the great esotericists of the 19th century.
W.D. Gann Works
W.D. Gann Works
W.D. Gann Works
We stock the complete collection of the works of W.D. Gann. His private courses represent the most important of his writings, going into much greater detail than the public book series. Our 6 Volume set of Gann's Collected Writings includes supplementary rare source materials, and is the most reliable compliation of Gann's unadulterated vital work.
Dr. Jerome Baumring
Dr. Jerome Baumring
Dr. Jerome Baumring
The work of Dr. Baumring is the core inspiration upon which this entire website is based. Baumring is the only known modern person to have cracked the code behind WD Gann’s system of trading and market order. Baumring found and elaborated the system of scientific cosmology at the root of Gann’s Law of Vibration. There is no other Gann teaching that gets close to the depth of Baumring’s work.

Natural Architecture Editor's Foreword by Alexandre Rouhier

Translation Society Edition

Foreword

“This temple is like Heaven in all its arrangements.”<br /> (Inscription on the temple of Ramses II.)
“This temple is like Heaven in all its arrangements.”
(Inscription on the temple of Ramses II.)

About five or six years ago, a master of the work brought us a manuscript written in Latin, illustrated with singular geometric figures, and accompanied by plans of civil and religious edifices. It came, he told us, from a traditional and pure source. This work appeared to us to present considerable interest. It demonstrated not only that the geometric outlines and numbers derived from the regular partition of the sphere determine universal constructive rules (which our present epoch has entirely forgotten), but also that these rules could also serve for the spiritual perfection of man, his intellectual development, and the realization of his material well-being, all at the same time. We therefore thought it indispensable to publish it.

This is why we present, to those who may still be interested by these questions, the version of this manuscript in French, as close as possible,. We have meticulously respected the terminology and translated all the terms integrally, even though some of them appeared to us to be susceptible to criticism, discussion, or controversy. We believe, in fact, that this “Report by a Master of the Work” cannot be considered a “work of science and erudition” in the narrow sense in which it is understood in our times, but as the expression of an essentially realizing “companion doctrine,” transmitted by an author indifferent to those minutiae, quibbles, and philosophic subtleties that are not effectively constructive.

From the hollow dwellings full of obscurity god through time draws out truth
From the hollow dwellings full of obscurity god through time draws out truth

This doctrine is not new. It presided over the building of the most famous works of the ancients. We have thus thought it useful to illustrate the text of this book with symbolic engravings, reproducing the documents or monuments of times past, of many various lands and epochs. Each of them reveals certain constructive rules of the Master of the Work.[1] They will thus contribute to proving their great antiquity and to demonstrating the universality of their applications, and will clarify a way of thinking whose marked synthetic and technical character can sometimes make its access difficult. We have chosen them from among many others, all just as demonstrative; the attentive reader will find many more of them when he studies the monuments of the epochs illustrated which still arouse admiration in modern times.

Moreover, this iconography has appeared to us to constitute an indispensable complement, and as it were a more material expression of the Author’s geometric designs, which themselves are expressions of the metaphysical principles from which they proceed.

Thus, we have wished to present this “Work” in a way analogous to that of the cathedrals of olden days. There, on the exterior and especially on the porches, the builders assembled a whole symbolic imagery, explicative of the edifice, while leaving the interior of the vessel naked of all ornamentation[2] and rich in its geometric proportions alone, so favorable to meditation and creative of that atmosphere of sacred contemplation which facilitates access to the divine.

We have tried equally hard, logically, to realize the typographic construction of this book according to the proportions and numbers corresponding to the constructive rules that it teaches.[3]

Appearing thus, with its uncommon theories, its strange figures, its recalling of old sciences considered as “ridiculous reveries” by some and “damned sciences” by others, this singular work risks appearing disconcerting or obscure to certain people... “You must open the book,” we remind them with Rabelais, “and painstakingly evaluate that which is inferred. Then you will know that the drug contained therein is of far different value than its container suggested.” We therefore beseech the reader to beware of a hasty or superficial examination and not to make his judgment until after having patiently and attentively studied this remarkable synthesis of the traditional sciences and arts, first in its entirety, then in its details.

For an easier beginning, we recommend first reading (p. xvi) the “Plan of the work” which was attached to the manuscript, then the analytical “Table of contents” that we have prepared, and finally (pp. 325 to 328) the Author’s “Conclusion.” The reader will then have an idea of the totality of the Work; it will guide him usefully throughout the exposition of an idea, which, to be brief, had to be expressed with more concision than the gravity of the subject, its extent, and the richness of its immediate conclusions deserved.

The device surrounding the mark (which is reproduced here) of Conrad Badius, the Genevan bookseller of the 16th century, serves us as a conclusion, because it illustrates perfectly the spirit and the value of this “Report”:

From the hollow dwellings, full of obscurity,
God, through Time, draws out Truth.

It falls to you now, benevolent reader, to make the effort indispensable to the discovery of “this” Truth. It will then become “yours,” because it is a universal Truth.

At the Holy Balsam<br /> solstitial night of the Feast of Fire<br /> (Nativity of John the Baptist)24th June, 1944
At the Holy Balsam
solstitial night of the Feast of Fire
(Nativity of John the Baptist)24th June, 1944

The Editor<br /> Alexandre Rouhier
The Editor
Alexandre Rouhier

THE MASTER OF THE WORK<br /> “...Antiquam exquirite matrem.”<br /> (Virgil: Aeneid, III, 96.)
THE MASTER OF THE WORK
“...Antiquam exquirite matrem.”
(Virgil: Aeneid, III, 96.)

Notes

[1] At the bottom of the pages where they are reproduced, we have attempted to draw the reader’s attention to their symbolic content, through short clarifying notes (marked with a small lozenge ♦ or a small square ■). These notes aim neither to be complete nor to exhaust the meaning of the engraving, but only to direct the reader’s mind to the correspondences existing between these illustrations and the Author’s theories. Certain figures have no commentary, not because their symbolism is too obvious or too well known to the adept, but because their explanation would lead to overly lengthy developments.

It is thus, using only this initial example, that the construction, dimensions, and ornamentation of the architectural porch of the title page contain, in the numbers and reciprocal ratios of the stones on the pediment, the entablature, the columns, and the 3 steps, an ensemble of numeric ratios which the informed reader will take pleasure in discovering; the number, for example, given by the stones of the 3 steps of the base, here replacing the 3 magical enclosures, are those of the architect’s just square: 3, 4, 5; the entablature symbolizes the constructive word ABRACADABRA; the stones of the columns, with or without the base, show the fundamental opposition of 18 and 15 which is that of the senary and quinary, etc...

[2] Obviously we do not count the narrow mediating belt formed by the ornamental line of the capitals, because it disappears in the ensemble of the geometric lines of the nave; nor the keystones of the vault. We call it a mediating belt, believing that whenever there is ornamentation there is mediation, because all ornaments (sculpture, painting, inscriptions) must be considered as magical in their essence, and because magic belongs to the intermediary World. The keystone of the ornate vault, point of departure of the broken arch, indicates a mediation between the Non-manifested and the totality of Manifestation; the capital may be considered as mediator between the curvilinear form of the ogive arch (representing universal Manifestation) and the straight form of the pillar (representing individual Manifestation).

[3] Just as, in Plato’s description, the temple of Poseidon is the center of the royal city of Atlantis, the “mediating diagram” of the Master of the Work (fig. 27) appears incontestably as the symbolic “omphalos” of this “Report,” and its proportions are those of the plan of the Atlantean sanctuary. If one reduces this temple to a width of 1 millimeter, the diameter of the royal City becomes equal to 10 English inches (the English inch, the only inch of which we speak, equals 0.0254 m.), which is precisely the length given by the Author to his mediating diagram, whose length is equal to 20 inches. (We recall that the King’s  chamber in the Great Pyramid is 10 royal Egyptian cubits wide by 20 cubits long, and that the “flying book” in the vision of Zechariah [Zec. V, 2] is also 10 by 20 cubits.) This is the dimension of the mediating diagram, intended to be printed on a full page, which has led us to choose in-folio super royal paper as a format. The height of a leaf being 22 inches (0.559 m.), and its width 15 (0.381 m.), this format is directly linked to the Egyptian approximation of the number π, i.e. to 22 : 7 (= 22 : 22 – 15), as well as to important Kabalistic numbers.

The dimension of the characters chosen for printing is equally symbolic: those of the text are 24-point, those of the notes 18; this opposition, in the ratio of 4 to 3, represents the inferior generation which corresponds to the Worlds of individual Manifestation.

The typographical “justification” (length of lines) is 10 inches (0.254 m.); the typographical “height of the page” is 16 inches (0.406 m.); the dimension of the printed text are therefore, according to the Author’s terminology, those of a golden rectangle, while the mediating diagram is a silver rectangle. The oppositions of 3 and 2, and those of 11 and 8, to which the Master of the Work draws ceaseless attention, are reproduced between the width of a leaf and that of the justification on the one hand, and between the height of a leaf and the typographical “height of the page” on the other hand.

The blanks of the margins (exterior and interior) make 5 inches in total, while the blanks at the head and foot of the page together make 6 inches. Their union and their crucial opposition therefore again represents the union and opposition of the quinary and senary which one encounters in all the constructions of universal character; they are found in the frames of the mediating diagram.

We even wished to represent these so fertile mutations 5 ↔ 6 in the form of the “cross-references”; this is why the 5-pointed star, in the text, sends one to the 6-pointed star, in the notes, from the beginning of the work as far as the “geometric Tau” and the corresponding “Crucifixion,” which are the 80th and 81st images of the “Report.” Then these cross-references permutate, and the 6-pointed star of the text sends one to the 5-pointed star of the notes.

Just as the voyage of Pantagruel in search of the Holy Bottle is marked by 35 or 36 stages (see p. 269), the Author’s text is divided into 35 or 36 chapters, depending on whether one counts the conclusion, in the form of a flask or hermetic Vessel as a distinct chapter.

Moreover, the “Report” comprises 50 geometric figures and 22 plates. In the footnotes there are 7 small figures, of geometric character, not titled. The documentary illustration which we have added consists of 108 engravings and 7 geometrical designs, titled, placed so as to conform to the symbolism of the mediating diagram which has guided the construction of the book.

The footnotes are the Author’s, except where indicated to the contrary. Some, attached to the manuscript on separate leaves and without indication of placement, have been added in 12 “Appendices” to the end of the work.

Only 252 (= 36 × 7) (= 108 × 7 : 3) copies of the book have been printed, which required 63 (= 108 × 7 : 12) reams of paper.

All these numbers, their groupings, their oppositions (5 ↔ 6, 7 ↔ 12, 35 ↔ 36, 22 ↔ 50, 80 ↔ 81, 108 ↔ 7) have a symbolic value and present a traditional character; they are found in the laws of the regular partition of the sphere, whose value emerges clearly from the Author’s theories.

The indication of the place and date which precedes the signature of the Editor realizes, by its form and colors, a complementary opposition with the philosopher’s bottle on page 320, which confirms the mystical conclusion of the Master of the Work; this cup (or Grail) contains, moreover, a symbolic chronogram which yields important Taoist, Pythagorean, and Kabalistic numbers. Cinnabar (salt of sulfur and mercury) is part of the composition of the red ink used. The white of the paper, the black and red of the inks, are the colors of the philosopher’s Stone, which also indicates that this book is really, in all its degrees, the “Book of the Great Transmutation.”

Related Pages

Sign up for email NewsLetter Download Latest NewsLetter
$0.00
$ (USD)
Institute of Cosmological Economics > ICE Forum index
Keys to Speculation
The Keys To Successful Speculation - By Daniel T. Ferrera
The Keys To Successful Speculation - By Daniel T. Ferrera
Keys to Successful Speculation by Daniel T. Ferrera is an applied technical trading system using the essentials of risk management with Gann based swing trading. This course has everything a trader needs to go from "0" to being a successful trader, including account management, risk management, trading strategy, entry & exit signals.
Ferrera 2019 Outlook
Ferrera Outlook for 2015
Ferrera Outlook for 2015
Ferrera's General Outlook for 2019 is our most popular market letter. All traders know that in times of global financial crisis, market confusion, and economic instability, it is critical to obtain the best knowledge. In it's 11th year, Dan Ferrera's Outlook is based on experience developing advanced technical models giving market insight equal to the best advisors.
Sepharial's Articles
Sepharial’s Kaleidoscope - Articles from British Journal of Astrology
Sepharial’s Kaleidoscope - Articles from British Journal of Astrology
Sepharial's Kaleidoscope. A Monthly Column from the British Astrology Journal. Walter Gorn Old, 1111 pages. This was a centerpiece of the British Journal of Astrology, 6 pages of each 16 page issue. Sepharial wrote the column for 22 years, and it represents the bulk of Sepharial's work including some of his best and most revealing writings.
Gann Pyramid Square 9
The Gann Pyramid: Square of Nine Essentials - By Daniel T. Ferrera
The Gann Pyramid: Square of Nine Essentials - By Daniel T. Ferrera
The Gann Pyramid, Square of Nine Essentials. By Daniel T. Ferrera. A groundbreaking course on the Square Of Nine, Gann's most mysterious calculator. This course explains the essence of this fascinating tool and its useful principles, with detailed expositions of key applications to the market. Gann's most secret and powerful trading tool!
CosmoEconomics
CosmoEconomics
CosmoEconomics
Cosmological Economics, the Key focus of this website, has its origins in Gann’s Law of Vibration, interpreted and extended by the work of Dr. Jerome Baumring. Scientific phenomena are seen as a basis of correlation and causation underlying the financial market, indicating a symbiotic relationship between Cosmic forces and reactions on Earth.
Hasbrouck Forecasts
Space-Time Forecasting Of Economic Trends, Volumes 1-3 - By Muriel & Louis Hasbrouck
Space-Time Forecasting Of Economic Trends, Volumes 1-3 - By Muriel & Louis Hasbrouck
Space-Time Forecasting of Economic Trends, Lost Archives of Muriel & Louis Hasbrouck. A highly important market research breakthrough theory! The Hasbrouck Archives contain 40 years of accurate financial forecasts, based on a Theory of Solar Space/Time Field Forces influencing space weather and markets! A 90% accuracy record!.
Occultism
Occultism
Occultism
The term "occultism" is often misunderstood by those who fear the unknown. It simply refers to "hidden knowledge" and the various esoteric traditions, such as Theosophy, Anthroposophy, Magick, Hermetics, Tarot, and Astrology. In the Alice Baily works channeled by The Tibetan, Djwhal Khul "occultism" encompasses all high esoteric science.
Yoga
Yoga
Yoga
Yoga is an Indian system of human development with many branches and schools. The word Yoga means "yoke", as in yoking a horse to a carriage, and Yoga gives methods for man to link himself to the Divine. Yogic systems include Laya Yoga, Bhakti Yoga, Raja Yoga, Jnana Yoga, Kriya Yoga and Karma Yoga.
Architecture
Architecture
Architecture
In ancinet times architecture often incorporated esoteric knowledge almost lost today, but encoded secretly into many existing ancient monuments. Geometric principles of divine proportion govern the complex forces underlying financial markets as well as architecture. We have one of the largest collections of books on these subjects in the world.
Cosmogenesis
Cosmogenesis
Cosmogenesis
Cosmogenesis explores the basis of Cosmic origins via intelligent universal creation, rather than materialistic random forces. Consciousness or intelligent energy serves as the true plenum of creation, not random ordering of unintelligent matter. Intelligent Cosmogenesis has dominated all scientific, metaphysical and spiritual ideas from ancient times.
Fractal Geometry
Fractal Geometry
Fractal Geometry
A branch of Chaos Theory, fractals are beautiful self-similar patterns mathematically generated from non-linear equations. Fractals apply directly to financial market phenomena, and time-periodic market charts show that similar patterns permeate each time level. Gann and Baumring saw common patterns foreshadowing coming events within consistent structure.
Space-time
Space-time
Space-time
Space and time can be seen as the primary elements which define the container of existence in which we all function. In the financial markets we could say that Price and Time are the two primary elements which define market movement and structure. Price is Space in the financial market cosmos, and Gann himself even referred to Space in market charts.
3.91.17.78
Disclaimer Privacy Policy Terms and Conditions

Guarded by Cerberus