Market Barometers
Market Barometers
Market Barometers
A quick insight into general conditions of the market can be had by synthesizing combinations of data as simple indicators giving an overview. Such indicators are often based on diverse data, from astrological signals, like Scott's Astronomical Market Barometer or Bradley’s Siderograph, to whether a specific market is overbought or oversold.
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THE SQUARE: Quantitative Analysis of Financial Price Structure - By Catalin Plapcianu
THE SQUARE: Quantitative Analysis of Financial Price Structure - By Catalin Plapcianu
The Square: Quantitative Analysis Of Financial Price Structure by Catalin Plapcianu develops the science behind Gann's Squaring of Price and Time. Proves that financial markets are mathematically controlled and predictable. A deep insight into Gann and Baumring's deepest system which tracks energy through the space/time matrix.
Eberhard Wortmann
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View our Wortmann pages
The Law Of The Cosmos, The Divine Harmony According To Plato's Republic/Timeaus, and The Platonic Riddle Of Numbers Solved contains 100s of sophisticated diagrams on Sacred Geometry, Pythagorean and Platonic Number Theory, Harmonics and Astronomy with analysis, elaboration of Universal Order and Cosmic Law.
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Gann Metaphysical Reading List
Gann Metaphysical Reading List
In the 1940’s Gann published a Recommended Reading list of about 90 books, each containing an essential part his system, which he sold to his students. n the 1980’s Dr. Baumring compiled about 70 of these titles, and we have collected the remainder, providing the only complete set available. We strongly recommend these works to all Gann students.
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Numerology
Numerology
Systems of numerology date back to ancient Egypt, India and Israel. Hebrew number science, Gematria, was woven through the sacred texts of Semitic religion. Plato used numerical codes in his works, and Thomas Taylor elaborated the advanced systems of Pythagoras in his "Theoretic Arithemetic of the Pythagoreans".
Chemistry
Chemistry
Chemistry
The origin of modern chemistry goes back to the mysterious science of Alchemy, which originated in Ancient Egypt, know to the Arabs as Kemi, the Black Lands. Alchemical experiments with chemicals and compounds led to the modern science of chemistry, although Alchemy incorporates spiritual and esoteric elements missing from chemistry.
Gordon Roberts
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View our Gordon Roberts pages
A profitable Trading Strategy using Gann's best approach of Leveraged Position Trading to gain large profits from small capital using a powerful secret Options Strategy that maximizes profits through high leverage while limiting risk. Based upon Gann's book, Profits In Commodities and the author's 20 years experience in Gann research and trading.
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The Sacred Science Translation Society began in 2004 as a project to translate a collection of the most important and rare works on Cosmology & Esoteric Science into English. Through Angel DonorsSubscribtion Contributions we raised over $40,000 to translate famous foreign masterpieces from French & German on critical subjects in Harmonics, Geometry, Esoteric Mathematics, & Ancient Cosmology.
Hans Kayser was one of the 20th century's leading scientists who made a profound mathematical, geometric and philosophical study of the Science of Harmonics. Now finally avaible in English though our Translation Society, Kayser's series of works explore the deepest principles of Pythagorean Harmony & Order.  His profound research reveals critical insights into Gann Theory & The Law of Vibration.
Our second translation is a French masterpiece on the establishment of a "Golden Rule" according to the principles of Tantrism, Taoism, Pythagoreanism, & the Kabala, serving to fulfill the Laws of Universal Harmony & contributing to the accomplishment of the Great Work. It develops a system of correspondences between the symbolic, geometrical, mathematical & astronomical systems of architecture of the ancient world.
The Law Of The Cosmos: The Divine Harmony According To Plato's Republic/Timeaus. The Platonic Riddle Of Numbers Solved contains hundreds of the most sophisticated diagrams on Sacred Geometry, Pythagorean & Platonic Number Theory, Harmonics & Astronomy with analysis & elaboration of Universal Order & Cosmic Law. Herman Hesse called him a Magisterludi of the Glass Bead Game.
THE ARCHEOMETER: Key To All The Religions & Sciences of Antiquity, Synthetic Reformation of All Contemporary Arts. The Archeometer is the instrument used by the Ancients for the formation of the esoteric Canon of ancient Art and Science in its various architectural, musical, scientific forms. A highly respected elaborations of the Universal System, by one of the great esotericists of the 19th century.
W.D. Gann Works
W.D. Gann Works
W.D. Gann Works
We stock the complete collection of the works of W.D. Gann. His private courses represent the most important of his writings, going into much greater detail than the public book series. Our 6 Volume set of Gann's Collected Writings includes supplementary rare source materials, and is the most reliable compliation of Gann's unadulterated vital work.
Dr. Jerome Baumring
Dr. Jerome Baumring
Dr. Jerome Baumring
The work of Dr. Baumring is the core inspiration upon which this entire website is based. Baumring is the only known modern person to have cracked the code behind WD Gann’s system of trading and market order. Baumring found and elaborated the system of scientific cosmology at the root of Gann’s Law of Vibration. There is no other Gann teaching that gets close to the depth of Baumring’s work.

Natural Architecture Sample Diagrams

A Translation Society Edition

By Petrus Talemarianus

Diagrams

Fig. 1 — Pascal’s Arithmetical Triangle and the Fibonacci Sequence
Fig. 1 — Pascal’s Arithmetical Triangle and the Fibonacci Sequence

Fig. 9 — The Operative Diagram of twelve triangles and seven squares, determining the eight constructive ratios.[1]
Fig. 9 — The Operative Diagram of twelve triangles and seven squares, determining the eight constructive ratios.[1]

Fig. 11 — AKLISHTAKAR’s diag
Fig. 11 — AKLISHTAKAR’s diag

Fig. 13 — Triangular numbers
Fig. 13 — Triangular numbers

Fig. 14 — Square numbers
Fig. 14 — Square numbers

Fig. 15 — Pentagonal numbers
Fig. 15 — Pentagonal numbers

Fig. 25. – The Intermediary Diagram on Triangles showing the correspondence of its elements with the signs of the zodiac and with the letters of the Vedic “Om” (AVM).
Fig. 25. – The Intermediary Diagram on Triangles showing the correspondence of its elements with the signs of the zodiac and with the letters of the Vedic “Om” (AVM).

Fig. 26. – The Intermediary Diagram on Pentalphas
Fig. 26. – The Intermediary Diagram on Pentalphas

Fig. 27. – The Mediating Diagram
Fig. 27. – The Mediating Diagram

Fig. 29. – The Sephirothic Tree
Fig. 29. – The Sephirothic Tree

Fig. 31. – The Complete Diagram
Fig. 31. – The Complete Diagram

Fig. 33. – The Geometric Tau[2]
Fig. 33. – The Geometric Tau[2]

Fig. 34 b). – The “lo chou”
Fig. 34 b). – The “lo chou”

Fig. 37 a). – Cosmogonic Square of 5Separating direction of Fou-hi.
Fig. 37 a). – Cosmogonic Square of 5Separating direction of Fou-hi.

Fig. 37 b). – Cosmogonic Square of 5Separating direction of King Wen.
Fig. 37 b). – Cosmogonic Square of 5Separating direction of King Wen.

Fig. 38 a). – “swastika” on the cosmogonic square of 6.Separating direction of Fou-hi.
Fig. 38 a). – “swastika” on the cosmogonic square of 6.Separating direction of Fou-hi.

Fig. 38 a). – “swastika” on the cosmogonic square of 5.Separating direction of King Wen.
Fig. 38 a). – “swastika” on the cosmogonic square of 5.Separating direction of King Wen.

Fig. 40. – The Rose of Twelve Musical Pipes
Fig. 40. – The Rose of Twelve Musical Pipes

CHROMATIC DISTANCES BETWEEN THE MUSICAL INTERVALS OF PTOLEMY
CHROMATIC DISTANCES BETWEEN THE MUSICAL INTERVALS OF PTOLEMY

GENERATION OF THE DIATONIC SCALE OF PYTHAGORAS
GENERATION OF THE DIATONIC SCALE OF PYTHAGORAS

DIATONIC DISTANCES BETWEEN THE MUSICAL INTERVALS OF PYTHAGORAS
DIATONIC DISTANCES BETWEEN THE MUSICAL INTERVALS OF PYTHAGORAS

Fig. 41. (Below) – alphabetical wheels based on ARSENIC●M, showing the partitions of the three roses and the labyrinth of the church of type H (Cathedral of Amiens)[3]
Fig. 41. (Below) – alphabetical wheels based on ARSENIC●M, showing the partitions of the three roses and the labyrinth of the church of type H (Cathedral of Amiens)[3]

The Quintuple HexahedronThe 3 aspects of its surface, and the aspect of its core or rhombic triacontahedron.
The Quintuple HexahedronThe 3 aspects of its surface, and the aspect of its core or rhombic triacontahedron.

Cubic Stone
Cubic Stone

Fig. 47. – descent of the sephirothic tree into the various worlds of manifestation[4]
Fig. 47. – descent of the sephirothic tree into the various worlds of manifestation[4]

Ascent of “kundalinî” through the seven “chakras” of the human being[5]
Ascent of “kundalinî” through the seven “chakras” of the human being[5]

The Ark of the Covenant[6]
The Ark of the Covenant[6]

But, a still more surprising fact, the Tetragrammaton and Melchizedek, united to the quaternary and to the numbers 80, 81, and 322, are also directly linked to the Pythagorean table,[7] constituted by the products, in pairs, of the first nine numbers, the greatest among them being 81, the highest emblem used by the Chinese to designate their musical pipes.
But, a still more surprising fact, the Tetragrammaton and Melchizedek, united to the quaternary and to the numbers 80, 81, and 322, are also directly linked to the Pythagorean table,[7] constituted by the products, in pairs, of the first nine numbers, the greatest among them being 81, the highest emblem used by the Chinese to designate their musical pipes.

Buddha’s Foot
Buddha’s Foot

Schematic plan of the Royal Citadel of AtlantisScale 1 : 88,800
Schematic plan of the Royal Citadel of AtlantisScale 1 : 88,800

Schematic plan of the Island of AtlantisScale 1 : 3,700,000
Schematic plan of the Island of AtlantisScale 1 : 3,700,000

Templum Ezekiel[8]
Templum Ezekiel[8]

Chinese cosmogonic squares and Pythagorean table
Chinese cosmogonic squares and Pythagorean table

Fig. I a), b), c), d), e). – Figures giving, for the octahedron (a), the rhombic dodecahedron (b), the dodecahedron (c), the icosahedron (d), and the rhombic triacontahedron (e), the traces, on one face of this solid, of the other faces.
Fig. I a), b), c), d), e). – Figures giving, for the octahedron (a), the rhombic dodecahedron (b), the dodecahedron (c), the icosahedron (d), and the rhombic triacontahedron (e), the traces, on one face of this solid, of the other faces.

THE 12 POLYHEDRONS HAVING AS NUCLEUS THE RHOMBIC TRIACONTAHEDRON (fig. 1 e).

Triacontahedron α of MœbiusPoints 5
Triacontahedron α of MœbiusPoints 5

Quintuple hexahedronPoints 7
Quintuple hexahedronPoints 7

Archimedean triacontahedron of the 3rd typePoints 2 ↔ 8
Archimedean triacontahedron of the 3rd typePoints 2 ↔ 8

Triacontahedron of HESS of the 15th typePoints 10
Triacontahedron of HESS of the 15th typePoints 10

Sextuple stephanoid of the 1st groupPoints 17
Sextuple stephanoid of the 1st groupPoints 17

Thirty rhombic stephanoids of the 2nd groupPoints 19
Thirty rhombic stephanoids of the 2nd groupPoints 19

Triacontahedron γ of MœbiusPoints 20
Triacontahedron γ of MœbiusPoints 20

Triacontahedron of HESS of the 45th typePoints 23
Triacontahedron of HESS of the 45th typePoints 23

CORRESPONDENCE IN THE WORLD OF “ATZILUTH” BETWEEN THE ELEMENTS OF THE SEPHIROTHIC TREE AND THE POLYHEDRONS HAVING AT LEAST TWO OF THEIR ELEMENTS EQUAL

Quintuple hexahedron of the 5th type (BINAH)
Quintuple hexahedron of the 5th type (BINAH)

Icosahedron of Poinsot of the 7th type (GEBURAH)
Icosahedron of Poinsot of the 7th type (GEBURAH)

Archimedean triacontagon of the 7th type (HOD)
Archimedean triacontagon of the 7th type (HOD)

Decuple tetrahedron of the 10th type (KETHER)
Decuple tetrahedron of the 10th type (KETHER)

Archimedean icosagon of the 2nd type (DAATH)
Archimedean icosagon of the 2nd type (DAATH)

Icosahedron of the 1st type (TIPHERETH)
Icosahedron of the 1st type (TIPHERETH)

Triacontagon of the 1st type (IESOD)
Triacontagon of the 1st type (IESOD)

Dodecahedron of the 1st type (MALKUTH)
Dodecahedron of the 1st type (MALKUTH)

Quintuple octahedron of the 5th type (CHOKMAH)
Quintuple octahedron of the 5th type (CHOKMAH)

Dodecahedron of Poinsot of the 3rd type (CHESED)
Dodecahedron of Poinsot of the 3rd type (CHESED)

Archimedean triacontagon of the 3rd type (NETZAH)
Archimedean triacontagon of the 3rd type (NETZAH)

TABLE OF THE SIGNS OF THE ZODIAC, THE ELEMENTS, AND THE PLANETS

^ _ ` a b c d e f g h i
Aries Taurus Gemini Cancer Leo Virgo Libra Scorpio Sagittarius Capricorn Aquarius Pisces
Earth Water Air Fire Moon Sun Mercury Venus Mars Jupiter Saturn Caput draconis Cauda draconis

 

Notes

[1] To facilitate the reading of the planetary and zodiacal symbols which the Author will employ continually hereafter in his “report,” a complete key to them is given, as well as a key to the symbols for the elements, on p. [*]378.

[2] This geometric Tau, constituted by the assembly of all the diagrams invented by the Author, is a veritable synthetic key to the Art of construction. The form of this key, forged by the Master of the Work, is that of the great sign of salvation, which, coming from Calvary, has traversed all Christian and Gnostic tradition (the cross of Christ in the form of a Tau, the Tau of Saint ANTHONY); it bears in it the protective and purifying virtue of the “mandalas” and the great pantacles constructed geometrically. The origin of this symbol of salvation is the ת. This letter, the last in the Hebrew alphabet, represents the two jambs of unequal nature and the lintel of a door (see p. [*]203), which are sprinkled with the blood of the Pascal lamb with a bunch of hyssop, thus constituting a magical protection for the house against the attacks of the Destroyer (Ex. XII, 21-23). This is the same sign that the prophet sees marked on the brows of those whom IAHVEH wishes to spare (Ez. IX, 4-6), and here one should note the parallel between the door and the position of the third eye, portal of the causal human body (see p. [*]253). But the seal that the apostle found imprinted on the foreheads of the 144,000 chosen ones (Apoc. VII, 2-4) is a T on which the two lateral jambs of unequal shape are simplified to a single post at the middle of the lintel; this is the image of the unification of contraries at the center of the being, the last stage on the way to deliverance.

[3] These alphabetical wheels differ from each other according to the number of circles composing them. This number is transposed, for the roses, into the number of ray divisions, and for the labyrinth, into the number of concentric enclosures (see Plates X, XII, XIV).

[4] On the axis of the figure, the sephirothic influx is indicated descending into the 3 Worlds of the Manifest, whose 7 “Palaces” are represented by 7 circles, twice on the right, once on the left.

[5] 101 “nâdîs,” or luminous and subtle arteries, are associated with the 7 “chakras” (of which 6 represent the nerve plexuses in the subtle form of the human body, the seventh, “Sahasrâra,” belonging to the causal body); thus the opposition of 7 and 108 (= 7 + 101) is indicated. Of these 101 “nâdîs,” only the 3 principal ones are illustrated here. The central artery or “sushumnâ” is rectilinear, and passes through the crown of the head; it serves as a vehicle for “Kundalinî,” being in direct communication with the “Buddhi” who, in Manifestation, links the multiple states of being to each other; it corresponds to , to Fire, to the color red. The tongues of fire, which appeared on the heads of the Apostles on the day of the descent of the Holy Spirit, correspond to it. The 2 other “nâdîs,” “idâ” and “pingalâ,” ascend in a caduceus around the central artery: “idâ” relates to the Moon ‚ and to the color white, and “pingalâ” relates to the Sun € and to the color yellow. We are reminded that in Tantrism, the Fire, the Moon, and the Sun correspond to the 3 “bindus” which are the 3 aspects of the supreme principle Shiva.

[6] The Ark is surmounted by a mercy seat, covered by the wings of two “Cherubim” (symbol of the quaternary), and above it resides the “Shekinah.” It is placed in a cubic enclosure, and its volume is a straight parallelepiped of the same proportions that serve as a framework for the dwelling houses constructed according to the rules of the art.

[7] When the numbers of the Pythagorean table, read here line by line, are printed for the first time (unity), they are printed in plain type; when they repeat (multiplicity), they are printed in bold. Among the 81 numbers on the table (square number of rank 9), 36 numbers (triangular number of rank 8) are printed in plain type, and 45 numbers (triangular number of rank 9) are in bold. This typographic presentation therefore represents a mutation of 9 ↔ 8, linked to the complementary opposition of Unity and Multiplicity. The quinary, as with the constitution of ARSENIC●M, is the pivot of this mutation, because the number 25 (= 5 × 5) is in the central square of the table. (Editor’s note.)

[8] We established this plan according to the text of the Master of the Work (see Appendix XII).

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