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Natural Architecture Table of Contents

A Translation Society Edition

By Petrus Talemarianus

Table of Contents


I. – The Master of the Work, after having traveled the World in search of the laws of traditional Architecture using natural materials, sees in a dream a “closed Garden”; the entrance is opened to him thanks to the magic word ABRACADABRA, which leads him to discover the ratio h/g linking, in the same circle, the side of a regular pentagon to that of a regular hexagon.
He defines the first rules of natural Architecture, whose proportions he has obtained imagining an “operative diagram” with twelve triangles and seven squares; he calculates the elements of the diagram with the aid of “h” and “g”.
  Pages 1-14
II. – The sage AKLISHTAKAR explains to him Hindu doctrines, especially from the aspect of Tantrism, and gives him a diagram. The Master of the Work observes that his operative diagram is generated in the same mode as AKLISHTAKAR’s Tantric diagram.   Pages 14-27
III. – The study of Chinese Taoism confirms for him the conditions of Hindu doctrines. The Master of the Work can thus attribute numeric correspondences to the different Worlds of Manifestation, and know the existence of the cosmogonic Ennead formed of a Unity ruling eight quantities placed in pairs.   Pages 27-24
IV. – Chinese wisdom leads him to construct a figure that mediates between the squares and the circle; this figure is the key which yields the form of the Pyramid of CHEOPS. The base of this Pyramid, and its four faces folded upon this base, outline a part of the operative diagram which permits the Master of the Work to discover nine lengths forming eight ratios associated in pairs; these lengths and ratios constitute the constructive aspect of the philosopher’s Stone.   Pages 34-39
V. – To designate these nine lengths and mark the plans with letters, the Master of the Work seeks the traditional name of the philosopher’s Stone; he acquires the conviction that this word is ARSENIC●M.   Pages 39-49
VI. – He distributes the nine lengths sought throughout the operative diagram; he makes one of the letters of ARSENIC●M correspond to each of them; he gives a metaphysical attribution to each of the eight ratios; he calculates the numeric quantity for each one. He observes that the succession of values of these ratios forms a geometric progression of ratio h/g, i.e. a mutation of the quinary and senary.   Pages 49-57
VII. – The study of this progression allows him to find the geometric outline of the interior corridors and chambers of the Great Pyramid, whose dimensions also reveal the proportions of the philosopher’s Stone.   Pages 57-65
VIII. – The three exterior squares of the operative diagram allow him to imagine an “intermediary diagram on triangles,” with eleven elements, specially marked by the sign of the “Om” (AVM). The Master of the Work makes their elements correspond to the signs of the zodiac and to the planets.   Pages 65-73
IX. – To this intermediary diagram formed by triangles, he opposes, by complement, another “intermediary diagram on pentalphas,” with eleven elements.   Pages 74-77
X. – To link these two intermediary diagrams, he imagines the “mediating diagram,” also marked with the seal of the mutations of the quinary and senary, and confirms its primary constructive virtue. He calculates the deformations of the nine lengths of ARSENIC●M obtained in this diagram.   Pages 77-86
XI. – The calculation allows him to justify the metaphysical attributions given to the eight constructive ratios of the philosopher’s Stone, and to determine the approximate values of these ratios, which bring light to the fundamental role of the mystic numbers 108 and 7 in Tantrism and the Kabala.   Pages 87-91
XII. – To test the metaphysical value of the mediating diagram, the Master of the Work studies Egyptian theodicy.   Pages 91-94
XIII. – This study leads him to occupy himself with the Hebraic Kabala, which was the vehicle of Egyptian Science. It leads him to discover the analogy that exists between the constitution of the sephirothic Tree and that of the intermediary diagrams.   Pages 94-105
XIV. – The Kabalistic doctrines allow him to divide the mediating diagram according to the divisions in relation to the sephirothic Tree.   Pages 105-112
XV. – Guided by the principle of polarity, the Master of the Work imagines the “complete diagram” where all the elements of the operative diagram are doubled. This complete diagram reveals to him the formal principles of natural Architecture. His geometric studies end with the establishment of a synthetic outline, where the five diagrams he has imagined are placed in a single figure in the form of a tau.   Pages 113-120
XVI. – Following in this the wise Pythagorean discipline, the Master of the Work then demands of Arithmetic, Astronomy, Harmony, Geometry, and Stereometry a verification of his constructive theories. Through Arithmetic, he finds concordances with the cosmogonic squares of the Chinese.   Pages 121-127
XVII. – Through Astronomy, he justifies, following a Khmer tradition concerning planetary arithmology, the assignments he has given to the various planets to designate the elements of his diagrams.   Pages 127-134
XVIII. – The Chinese theory of the twelve musical pipes, completed by the study of the scales of PTOLEMY and PYTHAGORAS, show him the direct resemblance existing between the laws of Harmony and those of natural Architecture.   Pages 135-147
XIX. – The study of Harmony leads him to that of the sacred alphabets, and allows him to discover that the ratio of the bases of the same exponential law that rules both musical intervals and architectural proportions is √g.   Pages 147-152
XX. – In Geometry, the Master of the Work is led, by reason of the importance of the logarithmic law in his constructive theories, to study the regular division of the circle, and consequently the rhythmic numbers; he gives the meaning of many universal pantacles.   Pages 153-159
XXI. – In Stereometry, he studies the regular partition of the sphere, from which proceed the regular polyhedrons; he describes four sorts of correspondences between these solids. He demonstrates that his diagrams are only the projection, on a plane, of some of these correspondences, and that they thus find their justification in the regular partition of the sphere.   Pages 159-179
XXII. – Having now completed the examination of the traditional sciences, the Master of the Work seeks, in the social applications of metaphysics, new concordances with his constructive doctrines. First, he encounters, in myths and in symbols, the same numeric oppositions, resulting from the laws of the regular partition of the sphere, that he discovered in his diagrams.   Pages 179-194
XXIII. – He then studies the cults of the Stone and the Waters, dedicated to the two exteriorizations of the Center of the World, and he gives numerous examples drawn from many traditions.   Pages 194-204
XXIV. – He searches for relationships between the doctrines of the alchemists and his diagrams. He describes notably, with regard to these latter, the constitution of the alchemical Vessel, and follows the development of the four operations or “colors” of the Great Work.   Pages 204-213
XXV. – The reading of the most famous writings of times past, of a traditional character commonly accepted, allows him to observe that the plan of these works and the numbers that are encountered there confirm his theories about architecture. He first examines, from this point of view, the “Genesis” of MOSES.   Pages 214-229
XXVI. – The “Theogony” of HESIOD provides him with further proofs of this concordance.   Pages 229-233
XXVII. – The various myths of PLATO, studied in relation to the “Timaeus,” are in agreement with the constructive doctrines of the Master of the Work.   Pages 233-254
XXVIII. – The “Divine Comedy” of DANTE leads in the same way to the alchemical and initiatory science of its author.   Pages 254-261
XXIX. – This secret science is also found in its entirety in RABELAIS’ novel, whose plan the Master of the Work compares with his mediating diagram.   Pages 261-281
XXX. – Having thus completed the verification of the validity of his doctrines, the Master of the Work uses his diagrams to define the proportions of the houses of habitation erected according to the rules of natural Architecture; he provides plans for six types of houses.   Pages 281-288
XXXI. – He extends his work to religious edifices, divided into five types, whose plans he gives.   Pages 289-293
XXXII. – He uses the mediating diagram to describe and link together the two most perfect types of buildings: the philosophical dwelling of an Adept (Domus Talemariana) and the cathedral of a Pontiff (church of type H). He marks, according to his system, the imperial town of Peking with its various Cities.   Pages 293-304
XXXIII. – Further widening the field of application of his theories, the Master of the Work examines, under their light, the plan of the Island of Atlantis and its royal city, according to the description given by PLATO.   Pages 305-309
XXXIV. – He finally seeks ultimate concordances in the “Apocalypse” of Saint JOHN, whose visions he analyses. He explores the church of type H, dedicated to “Shekinah” (Cathedral of Amiens), and observes that the divisions of this edifice are in concordance with those of the apocalyptic book.   Pages 310-324
XXXV. – In conclusion, the Master of the Work, after having summarized the terms of his Report, affirms his faith in the utility, for men, of knowing and loving the rules of natural Architecture, in order to obtain, through the realization of universal Harmony, the great Detachment necessary for their complete felicity.   Pages 325-330



I. – Construction of an approximate pentalpha with the rectangle √g.   Page 335
II. – Table of the approximate numeric values of the eight ratios of ARSENIC●M.   Page 335
III. – Ratio h/g obtained through the regular dodecahedron.   Page 335
IV. – Chinese cosmogonic squares and table of PYTHAGORAS.   Page 336
V. – The magic squares.   Page 337
VI. Khmer arithmological series and Chinese cosmogonic squares.   Page 338
VII. – On √π, 1/√2, and the ratio between the septenary and duodenary (Unpublished study by Francis Warrain).   Pages 339-341
VIII. – Regular polyhedrons and polygons.   Pages 341-360
IX. – Quadratures of the circle obtained in the diagrams.   Page 361
X. – The figured numbers.   Pages 362-365
XI. – The rhythm of the holy Letters.   Pages 365-370
XII. – The divine architectural archetype and its paths.   Pages 371-376



We have gathered, at the end of the work, various notes relative especially to the illustration of the “Report” and which could not be placed near the images to which they correspond.         Pages 377-378



Comprising 50 geometric, numeric, and titled designs, of the author, as well as 108 engravings and 7 titled geometric designs of the editor.

  The Master of the work.   Page xvii
I. Untitled engraving.   Page 1
  Fig. 1: The arithmetical triangle of PASCAL and the FIBONACCI series.   Page 2
  Fig. 2: The Egyptian triangle.   Page 2
  The closed garden.   Page 3
  Fig. 3: PASCAL’s arithmetical triangle limited by the chessboard.   Page 4
  Fig. 4: Pentalpha.   Page 5
  Fig. 5: Small squares.   Page 5
  Fig. 6: The logarithmic spiral resting upon the corners of the turning squares.   Page 6
  The humble contemplative before the Virgin, and the four animals.   Page 7
  Fig. 7: The key to natural Architecture.   Page 8
  Fig. 8: Construction prior to the operative diagram.   Page 9
  Fig. 9: The operative diagram.   Page 13
  The “Shriyantra”.   Page 14
II. The Holy Trinity.   Page 14
  Armes papales.   Page 19
  Fig. 10: The triple triad.   Page 20
  Fig. 11: The diagram of AKLISHTAKAR (Plates)    
  The great ARTEMIS of Ephesus.   Page 21
  The Woman, heart of the “Apocalypse”.   Page 24
  KOUAN-YIN with eighteen arms.   Page 25
  FOU-HI and his wife NIU KOUA holding the square and compass.   Page 27
III. The pair of opposites (oriental and occidental Alchemies).   Pages 28-29
  Fig. 12: The generation of the “Pa Koua”.   Page 30
  SHIVA on the cow NANDI.   Page 31
  Dice players.   Page 32
  Fig. 13: Triangular numbers.   Page 32
  Fig. 14: Square numbers.   Page 33
  Fig. 15: Pentagonal numbers.   Page 33
  Fig. 16: the “Shrivatsa”.   Page 34
IV. Fig. 17: The constitutive triangles of the pyramid of CHEOPS.   Page 36
  Fig. 18: The essential dimensions of the Great Pyramid.   Page 37
  Fig. 19: The constitutive triangles of a pyramid linked to the “materia” squares.   Page 38
  Chinese “Ming t’ang”.   Page 38
  Lotus flower.   Page 39
V. The ten Sibyls.   Page 45
VI. The cow Nouit and the supporting gods.   Page 50
  Assyrian ennead.   Page 51
  Untitled engraving.   Page 55
  Fig. 20: Quadrilateral of HERMES.   Page 56
VII. The twelve signs of the zodiac.   Page 58
  The seven planets.   Page 59
  Fig. 21: Outline of the interior chambers and corridors of the Great Pyramid (Plates).    
  The coffer of the Virgin.   Page 63
  Fig. 22: Magic rectangle of the Great Pyramid.   Page 64
  Pentagon and pentalpha.   Page 65
VIII. Fig. 23: Construction prior to the intermediary diagram on triangles.   Page 66
  Fig. 24: The intermediary diagram on triangles.   Page 67
  The head and tail of the Dragon.   Page 68
  The Egg of the World.   Page 70
  The Tibetan “Om”.   Page 71
  Fig. 25: The intermediary diagram on triangles in correspondence with the “Om”.   Page 72
  Pectoral of the archgallus.   Page 73
IX. Fig. 26: The intermediary diagram on pentalphas.   Page 75
  The mediating Sovereign.   Page 76
  Pentagonal lamp.   Page 77
X. Fig. 27: The mediating diagram.   Page 78
  The zodiacal hermaphrodite.   Page 79
  Fig. 28: Construction relating to the lower part of the mediating diagram.   Page 82
  The alchemical Work.   Page 86
XI. Untitled engraving.   Page 91
XII. The Ogdoad of Hermopolis.   Page 93
XIII. Aleph.   Page 95
  Fig. 29: The sephirothic Tree.   Page 97
  CYBELE, the Mother of the gods.   Page 98
  MICHAEL, the “Metatron”.   Page 99
  The Candelabra of the Tabernacle.   Page 102
  The Table of the twelve loaves of showbread.   Page 103
XIV. NOUIT, SHU, and SEB.   Page 106
  Meditating Taoist.   Page 107
  Untitled engraving.   Page 108
  Hindu “Lingam”.   Page 110
  “Aum mani padme houm”.   Page 112
XV. Fig. 30: Construction prior to the complete diagram.   Page 113
  The Annunciation.   Page 115
  Fig. 31: The complete diagram.   Page 116
  Fig. 32: Geometric properties of the complete diagram.   Page 117
  Fig. 33: The geometric Tau.   Page 118
  Crucifixion between the Sun and Moon.   Page 119
XVI. Fountain of science.   Page 121
  Fig. 34 a and b: The “Ho-t’ou” and the “Lo chou”.   Pages 122-123
  Fig. 35 a and b: Chinese cosmogonic squares of 6 and 5.   Page 123
  Fig. 36 a and b: The eight Trigrams (arrangements of FOU-HI and King WEN).   Page 124
  Fig. 37 a and b: Cosmogonic square of 5 (separating directions of FOU-HI and King WEN).   Page 124
  Chinese tower with eleven stories.   Page 125
  Fig. 38 a and b: “Svastikas”  on the cosmogonic square of 6 and 5.   Page 126
  The goddess of the rainbow.   Page 127
XVII. Fig. 39: The Khmer arithmological and planetary squares.   Page 128
  MITRA-PHANES emerging from the pyrogenic Egg of the World.   Page 131
  Egyptian Gnostic cross.   Page 132
  Alchemical putrefaction.   Page 133
XVIII. Fig. 40: The rose of the twelve musical pipes.   Page 135
  Chinese bell with phoenix heads.   Page 141
  AMPHION, son of JUPITER, building “hundred-gated” Thebes.   Page 147
XIX. Fig. 41: Alphabetical wheels based of ARSENIC●M.   Page 149
  Ritual of the dedication of a church.   Page 150
  The rose on the façade of the cathedral of Exeter.   Page 152
XX. Plan of the upper story of the statues of the “screen” of Exeter.   Page 154
  The union of the macrocosm and the microcosm.   Page 156
  Double-headed eagle.   Page 159
XXI. Architecture and music.   Page 162
  Fig. 42 a and b: Constitutive quadrilaterals of the equilateral triangle and the square.   Page 164
  Fig. 43 a, b, and c: Equilateral triangle and squares with their constitutive triangles.   Page 164
  Fig. 44: Pentagon with constitutive triangles.   Page 168
  Notre-Dame de Tournai.   Page 171
  Fig. 45 a, b, c, d, and e: The planar projections of the “Yin” correspondences of the platonic solids superimposed on the complete diagram.   Page 174
  The quintuple hexahedron.   Page 177
  Cubic Stone.   Page 179
XXII. Image of the Moon and image of the Sun.   Page 182
  HAYAGRIVA.   Page 184
  AVALOKITESHVARA with eleven heads and eight arms.   Page 185
  Fig. 47: Descent of the sephirothic Tree into the different Worlds of Manifestation.   Page 190
  Ascent of “Kundalinî” through the seven “chakras” of the human being.   Page 191
  The prophet ZECHARIAH.   Page 194
XXIII. Black Virgin.   Page 197
  JACOB’s ladder.   Page 199
  The story of ŒDIPUS.   Page 201
  The two Dioscures at the service of the Goddess.   Page 202
  The pinecone of the Vatican.   Page 203
XXIV. Alchemical laboratory.   Page 205
  The upper, middle, and lower parts of the furnace.   Page 208
  Alchemical credence.   Page 209
  ULYSSES healing TELEPHUS.   Page 211
  Pyrogenic vessel.   Page 213
XXV. The Ark of the covenant.   Page 217
  The Tabernacle of MOSES and its courtyard.   Page 225
  Nubian tau.   Page 229
XXVI. The tomb of King MIDAS the alchemist.   Page 231
  CYBELE, her two assistants, and her two lions.   Page 233
XXVII. The Great alchemical Work (humid path).   Page 239
  The Great alchemical Work (dry path).   Page 249
  The labyrinth at Chartres cathedral.   Page 253
XXVIII. Tree of Raymond LULL.   Pages 258-259
XXIX. The rocks of Bogaz-Kheui   Pages 264-265
  The magical lintel of the octagonal chapel of Montmorillon (interior face and exterior face).   Pages 268-269
  The Pontiff.   Page 277
  The Virgin in her cloak.   Page 279
XXX. The Virgin in her glory.   Page 282
  Fig. 48 a and b: Plans of houses at the interior of the gardens.   Pages 284-285
  Plan of the palace of Versailles, superimposed on the Monad of John DEE.   Page 287
  Fig. 49: Mediating plan.   Page 288
XXXI. Fig. 50: Split arch.   Page 289
XXXII. Feet of BUDDHA.   Pages 294-295
  CYBELE between the SUN and MOON.   Page 297
  The two powers and their synthesis.   Page 301
  Diagram of the itinerary to follow for acquiring the faculty of flying through the air.   Page 303
  Untitled engraving.   Page 304
XXXIII. Schematic plans of the island of Atlantis and its royal city (Plates).    
  MITHRAS cutting the bull’s throat.   Page 307
  Saint CHRISTOPHER.   Page 309
XXXIV. “Ecclesia templariis”.   Page 311
  “Templum EZEKIEL”.   Page 313
  The vision of the throne of GOD and the Lamb.   Page 317
  Keystone of the absidial vault of the cathedral of Amiens.   Page 319
  Saint JOHN at Pathmos.   Page 324
XXXV. The central tympanum of the main door of the cathedral of Bourges.   Page 325
  Untitled engraving.   Page 329
  The Holy Bottle (§ XXXVI).   Page 330
  The Pilgrim.   Page 331



  Tibetan engraving.   Page 333
  Plan of the Lamaic cathedral at Lhasa.   Page 334
I. Construction of an approximate pentalpha with the rectangle √g.   Page 335
II. Table of the approximate numeric values of the eight ratios of ARSENIC●M.   Page 335
III. Ratio h/g obtained through the regular dodecahedron.   Page 335
IV. Chinese cosmogonic squares and table of PYTHAGORAS.   Page 336
V. The magic squares and their planetary correspondences.   Pages 337-338
VI. Khmer arithmological series and Chinese cosmogonic squares:    
  Fig. I.   Page 338
  Fig. II a, b, c, and d.   Page 338
  Fig III a, b, and c.   Page 339
VII. Bell curve.   Page 340
VIII. Regular polyhedrons: surfaces and volumes.   Pages 341-342
  Fig. I a, b, c, and d.   Page 343
  Fig. II, III, and IV.   Page 345
  Table of the classification of the types of polyhedrons.   Pages 346-347
  Nomenclature of the polyhedrons.   Pages 348-349
  Table of the elements of the polyhedrons.   Pages 350-353
  Construction of the faces of the polyhedrons.   Pages 354-355
  Correspondence of the polyhedrons with the “Sephiroth”.   Page 356,
Pages 360- 361
IX. Quadrature of the circle obtained in the operative diagram.   Page 361
Figured numbers.
Page 364



Table of the numeric values corresponding to the letters of the Hebrew and Greek alphabets.   Page 41
Table I.   Page 55
Table II.   Page 87
Table III.   Page 89
Table IV.   Page 89
Table V.   Page 90
Table VI.   Page 105
Table VII.   Page 114
Table of Khmer planetary arithmology.   Page 129
The 10 antediluvian kings of Babylon.   Page 134
Starred Table of the twelve Chinese musical pipes.   Page 136
Circular Table of the twelve Chinese musical pipes.   Page 137
Generation of the diatonic scale of PTOLEMY.   Page 142
Diatonic distances between the musical intervals of PTOLEMY.   Page 143
Generation of the diatonic scale of PYTHAGORAS.   Page 145
Ratios between the sides of various polyhedrons.   Page 157
Table of the elements of the regular polyhedrons.   Page 160
Properties of the parts of the whorl seen by ER the Pamphylian   Page 243,
in note
Proportions of the eighteen models of houses of habitation.   Page 286



are on Pages 2, 4, 48, 140 (in note), and 148.


are in notes on Pages 35, 36, 106, 125, 166, 212, and 289.


are on Pages 1 and 325.


–The magic word ABRACADABRA provides the key to natural Architecture.


Its three aspects
– The operative diagram, verified by Tantric and Taoist doctrines, and applied to the geometric outline of the Pyramid of CHEOPS (§ i to vii).
– The intermediary diagrams and themediating diagram, in concordance with the Pythagorean and Kabalistic doctrines (§ viii to xiv).
– The complete diagram, leading to the establishment of a geometric tau (§ xv).

Its seven correspondences

in the
Arithmetic. – The Chinese cosmogonic squares (§ xvi).
Astronomy. – Khmer planetary arithmology (§ xvii).
Harmony. – The Chinese theory of the twelve musical pipes, and the Greek scales; the universal alphabets (§ xviii and xix).
Geometry. – The regular division of the circle: the rhythmic numbers and the traditional pantacles (§ xx).
Stereometry. – The regular partition of the sphere: the regular polyhedrons and their reciprocal correspondences (§ xxi).
in the social applications of
The writings and representation of mythical, alchemical, and sacred character (§ xxii to xxix).
Natural Architecture in the West, the East, and in mystical accounts. Atlantis and the Apocalypse (§ xxx to  xxxiv).


THE MASTER OF THE WORK“...Antiquam exquirite matrem.”(Virgil: Aeneid, III, 96.)
THE MASTER OF THE WORK“...Antiquam exquirite matrem.”(Virgil: Aeneid, III, 96.)


[1] Here we reproduce the plan of the Work found in the Author’s notes. We have simply added to it the indication of the sections given in the Table of Materials.

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The Canon
The Canon refers primarily to an ancient esoteric system of knowledge and cosmology encoded into temples, artifacts, art and monuments. The Egyptians had a specific Canon to lay out the grids upon which they designed their art, and there are also canons of proportion used in the Renaissance, as well as by later artists, geometers and musicians.
Zen and Chan are similar terms from Japanese and Chinese systems of Buddhism, but they originate from the Indian word Dhyana, loosely translated as "meditation". Zen is a mind science, giving direct access to the core layers of mind. The origin of Zen is in India, home of Buddhism. Allan Wattís called it "Hinduism stripped for export".
Our catalog has fascinating fictional works which relate to our various fields of interest and present deep ideas from a dramatic perspective in a readable context. Books like Gannís "Tunnel Through the Air" fall into this category, along with Alchemical allegories and metaphysical mysteries.
Science of Vibration
Science of Vibration
Science of Vibration
W. D. Gann coined this term as a basis of his system of market forecasting. It explores theories of aether physics, vortex systems, and universal order as considered in the late 1800ís, incorporated with valuable elements taken from esoteric cosmology. The theory posits that vibration underlies all phenomena, and that harmonic factors govern universal forces.
Learning Systems
Learning Systems
Learning Systems
Special Learning Systems use maximally efficient techniques to accelerate learning, enhancing memory, rapid mathematical calculation techniques, artistic systems, physical, and mental or spiritual training programs. Ancient and modern intellectual technologies combine to create new fruitful approaches to learning and understanding.
Magic Squares
Magic Squares
Magic Squares
In Magic Squares the addition of each of the rows and columns add up to the same number. From Ancient times thinkers have explored these mathematical mysteries, uncovering deep ordering principles underlying numbers and geometry. Within his esoteric market analysis systems Gann used a "Squares of Nine" and a "Square of Four".
L. David Linsky
View our L. David Linsky pages
View our L. David Linsky pages
A New Discovery of a Mathematical Pattern in the Gold Market which forecasts Gold's turns with an 85-95% accuracy over 40 years. Scientific Proof of a Cyclical Pattern in the Gold Market providinges a 100 Year Forecast of Gold's Major Tops & Bottoms and Bull & Bear Market Campaigns out to 2100.
Sean Erikson
View our Sean Erikson pages
View our Sean Erikson pages
Sean Erikson, with 25 years' experience, provides powerful astro-tools for advanced swing trading based upon celestial mechanics to consistently predict the angle of attack or slope of a forthcoming trend. A simple astro-timing tool gives the next 1-3 turns out and a geometrical price projection tool gives 2 probable price projections for each move.
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