Ferrera 2019 Outlook
Ferrera Outlook for 2015
Ferrera Outlook for 2015
Ferrera's General Outlook for 2019 is our most popular market letter. All traders know that in times of global financial crisis, market confusion, and economic instability, it is critical to obtain the best knowledge. In it's 11th year, Dan Ferrera's Outlook is based on experience developing advanced technical models giving market insight equal to the best advisors.
Law of Cause & Effect
The Law of Cause and Effect - By Daniele Prandelli
The Law of Cause and Effect - By Daniele Prandelli
The Law of Cause and Effect, Creating a Planetary Price Time Map of Market Action, by Daniele Prandelli. This course presents the correct application of W. D. Gann's Planetary Longitude Lines, using a proprietary conversion factor to properly tune them by sympathetic resonance to any market! One of Gann's most powerful trading techniques.
Trading Selene’s Chariot
Selene’s Chariot
Selene’s Chariot
Sean Erikson, a professional trader and fund manager, presents a set of highly refined tools for advanced swing trading based upon principles of celestial mechanics and ancient geometry. Developed and refined over 3 decades of research, trading and professional management, his astro-trading tools represent the culmination of a lifetime quest.
Hasbrouck Space and Time
Hasbrouck Space/Time
Hasbrouck Space/Time
With rare research from the 1920’s through the 1970’s, the Hasbrouck Space-Time Archives studied market influence based on Solar Field Force. Muriel Hasbrouck, aided by her husband Louis, researched solar phenomena, space weather and earthquakes in relation to market forecasting, producing a well-received forecasting letter for 30 years.
Baumring Reading List
Baumring Reading List
Baumring Reading List
Dr. Baumring's reading lists were very comprehensive, covering all areas of the markets, sciences and metaphysical fields. Baumring was an intensive scholar who read 1800 words a minute and had a photographic memory, thus extendinghis scope. Baumring's 10,000 volume library included around 500 books which he saw as core information.
Saint-Yves D'Alveydre
View our Saint-Yves D'Alveydre pages
View our Saint-Yves D'Alveydre pages
THE ARCHEOMETER: Key To All The Religions and Sciences of Antiquity; Synthetic Reformation of All Contemporary Arts. The Archeometer was used by the Ancients for the esoteric Canon of ancient Art and Science in its various architectural, musical and scientific forms. A respected elaboration of a Universal System by a great 19th century esotericist.
L. David Linsky
View our L. David Linsky pages
View our L. David Linsky pages
A New Discovery of a Mathematical Pattern in the Gold Market which forecasts Gold's turns with an 85-95% accuracy over 40 years. Scientific Proof of a Cyclical Pattern in the Gold Market providinges a 100 Year Forecast of Gold's Major Tops & Bottoms and Bull & Bear Market Campaigns out to 2100.
Pause Start Back Next Translation Society Titles Top Science Titles Top Metaphysics Titles Science Categories Metaphysics Categories Cosmological Economics Financial Astrology
The Sacred Science Translation Society began in 2004 as a project to translate a collection of the most important and rare works on Cosmology & Esoteric Science into English. Through Angel DonorsSubscribtion Contributions we raised over $40,000 to translate famous foreign masterpieces from French & German on critical subjects in Harmonics, Geometry, Esoteric Mathematics, & Ancient Cosmology.
Hans Kayser was one of the 20th century's leading scientists who made a profound mathematical, geometric and philosophical study of the Science of Harmonics. Now finally avaible in English though our Translation Society, Kayser's series of works explore the deepest principles of Pythagorean Harmony & Order.  His profound research reveals critical insights into Gann Theory & The Law of Vibration.
Our second translation is a French masterpiece on the establishment of a "Golden Rule" according to the principles of Tantrism, Taoism, Pythagoreanism, & the Kabala, serving to fulfill the Laws of Universal Harmony & contributing to the accomplishment of the Great Work. It develops a system of correspondences between the symbolic, geometrical, mathematical & astronomical systems of architecture of the ancient world.
The Law Of The Cosmos: The Divine Harmony According To Plato's Republic/Timeaus. The Platonic Riddle Of Numbers Solved contains hundreds of the most sophisticated diagrams on Sacred Geometry, Pythagorean & Platonic Number Theory, Harmonics & Astronomy with analysis & elaboration of Universal Order & Cosmic Law. Herman Hesse called him a Magisterludi of the Glass Bead Game.
THE ARCHEOMETER: Key To All The Religions & Sciences of Antiquity, Synthetic Reformation of All Contemporary Arts. The Archeometer is the instrument used by the Ancients for the formation of the esoteric Canon of ancient Art and Science in its various architectural, musical, scientific forms. A highly respected elaborations of the Universal System, by one of the great esotericists of the 19th century.
W.D. Gann Works
W.D. Gann Works
W.D. Gann Works
We stock the complete collection of the works of W.D. Gann. His private courses represent the most important of his writings, going into much greater detail than the public book series. Our 6 Volume set of Gann's Collected Writings includes supplementary rare source materials, and is the most reliable compliation of Gann's unadulterated vital work.
Dr. Jerome Baumring
Dr. Jerome Baumring
Dr. Jerome Baumring
The work of Dr. Baumring is the core inspiration upon which this entire website is based. Baumring is the only known modern person to have cracked the code behind WD Gann’s system of trading and market order. Baumring found and elaborated the system of scientific cosmology at the root of Gann’s Law of Vibration. There is no other Gann teaching that gets close to the depth of Baumring’s work.

OrpheusIntroduction & Table of Contents

Translated by Joscelyn Godwin

By Hans Kayser

Table of Contents

  • Preface, Introduction.
  • First chapter. The lambdoma and its relation to the problem of the overtones and undertones.
  • Second chapter. On the sound in the stone. Crystallography.
  • Third chapter. The Oth-Aleph and the star of the pleroma. The formulae of harmonics.
  • Fourth chapter. Number and sound. Mathematics.
  • Fifth chapter. On the sound in the microcosm. Atomic theory.
  • Sixth chapter. Doctrine of color. Physics, optics.
  • Seventh chapter. On the sound in the macrocosm. Astronomy.
  • Eighth chapter. Sound and growth. Geology, botany, zoology.
  • Ninth chapter. Sound and form. Architecture, art.
  • Tenth chapter. Doctrine of harmony. Tonal system, music theory.
  • Eleventh chapter. Man, tone, and rhythm. Anthropology, history, periodicity.
  • Twelfth chapter. On intuition. Philosophy, language, psychology, ethics.
  • Finale. View of past and future.

Translator’s Introduction

The Sacred Science Institute’s Hans Kayser project, which has so far issued English translations of Harmonia Plantarum (first published 1943), A Harmonic Division Canon (1946), Textbook of Harmonics (1950), and Paestum (1958), now presents Kayser’s first and least known book: Orpheus I. Morphologische Fragmente einer allgemeinen Harmonik, erste Lieferung (1926).

The nature and circumstances of these “Morphological Fragments of a Universal Harmonics” are nothing short of extraordinary. Under the prophetic name of Orpheus, Kayser (1891-1964) intended to erect a monument to rival Albert von Thimus (1806-1878), whose Harmonic Symbolism of Antiquity (Die harmonikale Symbolik des Alterthums, Cologne, 1868, 1876) had opened his imagination to harmonics as the universal key. Thimus had addressed it only as a historical phenomenon, concentrating on ancient Greece, Egypt, and China. Kayser intended his Orphic project to bring harmonics into the modern world by showing its application to the sciences and humanities, and its spiritual value for the present and the future.

Kayser’s grand plan was to cover the entire field of arts and sciences, harmonically treated, in twelve “chapters.” The present work was only the “first instalment” (Erste Lieferung), comprising the general introduction and chapters 1 and 2. A prospectus inserted in the book outlines the complete plan, followed by a laudatory essay and inviting subscribers. It suggests that future chapters are well underway by reproducing two diagrams from them: “Harmonic analysis of the hydrogen spectrum,” from the fifth chapter, and, in four colors, “The diatonic circles of the combination types,” being table 8, figure 9 of chapter 3. According to Rudolf Haase, from whose biography (Hans Kayser. Ein Leben für die Harmonik der Welt, Basel: Schwabe, 1968) most of this information is taken, Kayser did complete the third chapter in manuscript. He awaited a favorable response from critics and subscribers, but was disappointed. The scientific and musicological press took almost no notice of the work, and what they did say was discouraging: Kayser’s addressing the reader with the informal du was inappropriate for an academic work; the presentation was too flamboyant, etc. Besides, after 1926 Kayser’s personal finances took a turn for the worse. For several years he supported his family by playing the cello in a nightly cinema orchestra. The political horizons darkened for liberals like himself. Only after his timely move to Switzerland in 1932 under the patronage of a far-sighted businessman, Gustav Fueter, was he able to resume, in the words of Haase’s title, “a life for the harmony of the world.”

The high-flown rhetoric of the prospectus matches the extravagance of Kayser’s ambition and of this lone completed monument. It speaks of the aspirations after Germany’s defeat to revive the best of its prior culture. For Kayser this included the Rhineland mystics of the late medieval period (Meister Eckhart, Tauler, Ruysbroeck,); the blending of science, alchemy, and occultism in Paracelsus; the mystical theosopher Jacob Boehme and his followers; the philosopher-scientists Kepler and Leibniz; and Goethe’s synthesis of a poet’s eye with a new scientific outlook, leading to the Naturphilosophie (philosophy of nature) of the Romantic period. Before specializing in harmonics, Kayser had studied all of these and edited two series of mystical writings: the popular series Der Dom (the cathedral) and his own Chorus mysticus (mystical chorus). Somehow he found time to write a dissertation, too, on “Literary Parallels between Fra Angelico’s Representation of the Last Judgment and the Writings of Antoninus Florentinus” (Erlangen, 1925).

As the overture to a work of Wagnerian ambitions, the present volume sets the tone of what is to follow, then exemplifies the themes and methods that will be used henceforth. The tone of the Introduction is earnest and we might say religious, only it is subservient to no particular religion but rather to the metaphysical principles behind them all. Readers familiar with the modern “Traditionalist” current identified with René Guénon will recognize the impersonal application of universal principles—in Guénon’s case, geometric (as in The Symbolism of the Cross); in Kayser’s, harmonic. Those more familiar with the work of C. G. Jung will recognize Kayser’s distinction of the ego, with all its problems, from the impersonal Self. Anthroposophists, about whom Kayser was at first scathing but later more sympathetic, will notice similarities to Steiner’s instructions for a higher perception of the natural world. All four—Kayser, Guénon, Jung, and Steiner—were concerned to give meaning to a postwar world in which materialism was asserting its claim as the only viable philosophy.

Following this introduction, Kayser explains the lambdoma, the diagram named from the Greek letter Lambda, Λ, which encompasses the integer series and its reciprocal fractions. The two large folding plates of a triangular and a square lambdoma (Tables I and II), enlarging on  prototypes in Thimus’s work, are a marvel of typographical intricacy. All of Kayser’s harmonic writings presuppose an understanding of this diagram and some sense of its musical nature. The ability to hear tones in one’s imagination has nothing to do with “perfect pitch,” but it does require familiarity with the basic intervals, so that when a perfect fifth is mentioned, the inner ear responds. Some time spent experimenting with a string—a cello or guitar string will serve in lieu of a monochord—will go far to clarify the Pythagorean insight into the link between tone and number, on which all harmonics rests.

The second chapter plunges us into the realm of crystallography, a territory as unknown to many readers as it was to the translator. In the spirit of Naturphilosophie, and of esoteric philosophies in general, it sees all of nature as alive and to some degree conscious. For Kayser, this life and consciousness are proven by the presence of harmonics as determinants of crystal growth and geometry. All his evidence and its illustrations come from the researches of Victor Goldschmidt (1853-1933), the founder of modern crystallography, who presumably consented to this extensive borrowing from his works. Because crystal formation relates closely to solid geometry, Kayser reprints a rare article by Christian Samuel Weiss (1780-1856) on the proportions of the Platonic and other regular solids, these also favoring harmonically significant numbers. The widow of Hans Hauswaldt (1851-1909) allowed Kayser to enhance his work with her husband’s photographs of polarized light through crystals.

Kayser’s lavish use of material by these specialists explains, to some degree, how at the age of 33 he could confidently promise to cover all the disciplines listed in Orpheus’s twelve chapters. Although the original research was not his own, his omnivorous mind enabled him to absorb it and fit it into his global vision. This he would pursue against all odds and the indifference of the academic world, right up to his metaphysical masterwork Orphikon, issued posthumously (1973) by his faithful Basel publisher, Julius Schwabe. Although Orpheus went off like a solitary rocket, by the end of his life Kayser had fulfilled its promise, and more.

If the reviewers thought Orpheus’s presentation too extravagant for a musicological textbook, they were right. The book comes in a green clothbound slipcase with a discreet label: Orpheus. Erste Lieferung, and measures 18½ by 12¼ inches (47 x 31 cms.). When the three-colored folding plates are opened, it spans 4ft. 2ins. (127 cms.). The paper is handmade, the margins wide, and the fonts are roman and italic, rather than the Fraktur, so offputting to non-German readers. The endpapers are solid scarlet facing metallic gold. The sixteen cyanotypes of crystal radiances are individually glued in. In short, it is a bibliophile’s treasure for its size, its quality, and its rarity, since no more than 200 copies were printed and there has never been a reissue. No American library claims to own one.

Although Orpheus was copyrighted in 1926, Kayser always dated it to 1924. That was the year in which he published a pair of modest “Papers around Orpheus” and issued prospectuses that invited subscribers to the central work, promising the first instalment for December 1925. He intended to print and publish it himself. In 1922, during the German monetary crisis, he had sold his private library to a Dutch dealer for hard currency, and invested it in printing equipment. He set up his printshop in a disused Berlin bathhouse and for a few years produced finely printed editions of his own and others’ writings, some as jobbing work, some under his own imprint of “Kunst und Technik” (Art and Technology).

Further information on the printing history of Orpheus comes from a Hamburg auction house, which in 2019 offered a separate publication of the 27-page Introduction (Einleitung) on handmade paper, full format, and paper covers, remarking that “The work appeared in 1924 from the Kunst und Technik press, but remained unfinished after only one instalment. Gustav Kiepenheuer took over the remainder and printed a new title page.”  The Kiepenheuer Verlag in Potsdam specialized in art books and bibliophile editions. It did indeed publish and copyright Orpheus in 1926, but apparently Kayser had already printed the Introduction, if not the whole book, on his private press.

For the bibliographic record I will add that in both copies to which I have had access, Table III is lacking. It was reassuring to find in a bookdealer’s catalogue the statement that “According to the publisher, the missing Table 3 would be included in the final instalment, which never appeared.”  Evidently some copies of Orpheus contained an apology to that effect. Moreover, our two copies have a significant difference. In one, the first chapter opens with the quotation from Iamblichus on Nicomachus (p.19, below) and continues through the quotation from the Tao Te King. There follows a rather pedestrian explanation of overtones, undertones, and the universal law of polarity, with a long footnote dissenting from Helmholtz’s theory of overtones and rejecting equal temperament. The text resumes with the analyses of the lambdoma at the bottom of p. 20, below. The other copy, which I translate from here, opens the chapter with the passage evoking Northern Light, quoting Goethe, and intimately addressing the reader. The explanation of overtones is cut by a half and enlivened by mention of Schoenberg, bells, organ stops, the clarinet, and an experiment with the piano. Kayser cleverly managed these improvements by reprinting only a single folio sheet comprising pages 1-4. He must have kept some copies of the first state, for he inscribed this one to “Herrn F. Charbonnet, in memory of his Berlin sojourn, August 1929.”

There follows a translation of Kiepenhauer’s prospectus, with a reproduction of its modernistic cover which may or may not contain some harmonic-geometric secret.

Joscelyn Godwin
Hamilton, New York, 2020

Sign up for email NewsLetter Download Latest NewsLetter
$0.00
$ (USD)
Institute of Cosmological Economics > ICE Forum index
Bradley's Siderograph
Stock Market Prediction & Siderograph Charts - By Donald Bradley
Stock Market Prediction & Siderograph Charts - By Donald Bradley
Bradley's Stock Market Prediction. 100 Years of Siderograph Charts and Software. The Siderograph Indicator is a market model used by many analysts to give current turning points and trend indications for the markets. This book includes the original text and charts for 100 years from 1950 to 2050, along with the software to produce the charts.
Law of Vibration
The Law of Vibration Series - By Dr. Lorrie Bennett
The Law of Vibration Series - By Dr. Lorrie Bennett
The Law of Vibration 4 Volume Series by Dr. Lorrie Bennett on Gann analysis explains the scientific foundations behind W.D. Gann's forecasting system, the Law of Vibration. Dr. Bennett is the first person since Dr. Baumring to solve much of the puzzle left behind by Gann! V1-Patterns, V2-Numbers, V3-Planets, V4-Geometry.
Spirals Growth & Decay
The Spirals of Growth & Decay - By Daniel T. Ferrera
The Spirals of Growth & Decay - By Daniel T. Ferrera
The Spirals of Growth and Decay, Exposing the Underlying Structure of the Markets. By Daniel T. Ferrera 2005. Utilizing deep concepts from nonlinear mathematics to mechanically describe the structure of price waves in financial market data, linking the ideas of shock, balance, instability, static and dynamic form in all trading markets.
Golden Age
Golden Age
Golden Age
The Golden Age of Technical Analysis extended from 1910 through 1960, when the greatest analysts lived and developed foundational principles. Dr. Baumring selected the best works for his students, believing it best to study from the great masters. Books by masters of the past have as much value for students today as they did back in their own day.
Polarity Factor System
The Polarity Factor System - By Daniele Prandelli
The Polarity Factor System - By Daniele Prandelli
The Polarity Factor System, An Integrated Forecasting & Trading Strategy Inspired by W. D. Gann's Master Time Factor, by Daniele Prandelli conveys the strategy and tools that Prandelli uses to generate a consistent 10% a month trading. A proven system with Advanced Risk Management Rules & time turning points based on Gann's cycle theory.
Speculation
Speculation
Speculation
Speculation is the trading of market positions for the sole purpose to make money. It is a secondary industry from general investing in stocks or trading in commodities where individuals buy and sell with no fundamental interest in the underlying market. We publish many works using this term, like Gann’s "Speculation a Profitable Profession".
Science Biography
Science Biography
Science Biography
There are a many important historical figures in the field of science and cosmology, like Pythagoras, Plato, Hermes, Bruno, or the misrepresented Isaac Newton. The work of these outstanding men contributed a great deal to our extended fields of knowledge. We specialise in books exploring the work of past masters who contributed so much.
Celestial Mechanics
Celestial Mechanics
Celestial Mechanics
Celestial Mechanics deals particularly with the motion of celestial bodies, especially the solar system, but also wider regions of cosmic space. The subject explores the relationships and processes of heavenly bodies, examining cycles of time, motions of celestial bodies, and the influences between cosmic and local forces.
Chaos Theory
Chaos Theory
Chaos Theory
Non-linear dynamic mathematics, known as Chaos Theory, seeks order in seeming random patterns, exploring subjects like Fractals, System Mechanics, Lorentz Attractors, and more. Dr. Baumring originated the idea that Chaos theory provided insight into market phenomena, and later the great Mandelbrot tried to apply Chaos theory to the markets.
Harmonics and Music
Harmonics/Music
Harmonics/Music
The science of harmonics is one of the most important subjects in the esoteric and scientific traditions, positing that harmonic relationships of vibration govern the structure of the universe. W.D. Gann called his system of market order the "Law of Vibration", and used principles of harmonics and vibration to predict trends in the financial markets.
Memory Systems
Memory Systems
Memory Systems
Providing systems to train the mind in the retention of concepts, lists, ideas and the like, Memory Systems can simplify much modern school study involving memory. We explore systems used by ancients and moderns to memorize entire books, lists of items, and concepts, as a sub-section of our accelerated and advanced systems of learning.
Solar Theory
Solar Theory
Solar Theory
The Sun is the most dominant influence in our lives, and a primary source of influences from the cosmos transmitted to the Earth. Ancient and esoteric traditions had advanced theories of solar influence. We cover theories concerning all kinds of solar effects.
44.222.92.134
Disclaimer Privacy Policy Terms and Conditions

Guarded by Cerberus